Culture

Leah Shore Don't Touch Your Face

The Animators Who Used Lockdown as Inspiration

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Unknown, Grace Hartigan and Helen Frankenthaler, Date unknown

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Liu Xiaodong, Girl in Front of Wardrobe, 2011

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Jean-Michel Basquiat, In Italian, 1983

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The time is now Akasha Rabut

The Time Is Now Uses Fundraising as a Form of Protest

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Roberto Burle Marx, Mineral Roof Garden, São Paulo, 1983

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Tyler Mitchell, Untitled (Sosa with Orange Hula Hoop), 2019

Tyler Mitchell’s Black Utopia Celebrates Playfulness and the Luxury of Quiet Ease

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Alex Proba, Living Shapes, 2019

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Walasse Ting, Five Beauties with Flowers, 1970s

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Gordon Parks Untitled, Alabama, 1956 Courtesy of The Gordon Parks Foundation, New York and Alison Jacques Gallery, London © The Gordon Parks Foundation

Gordon Parks Used the Camera as a “Weapon” Against Poverty and Racism

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Dana Scruggs, Nyadhour, Elevated, Death Valley, California, 2019

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Homecoming, Beyonce, 2019, courtesy of Netflix

Is Beyoncé‘s Sumptuous Homecoming a Template for Pandemic-Proof Culture?

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Robin Isely, Room of Human Sorrows, 2018

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Documenting the Radical Empathy of New York’s Queer Scene in the 1980s

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Museu das Cadeiras Brasileiras, Belmonte, Brazil, 2018

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Jennifer Packer, Ivan, 2013

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David Stenbeck, Untitled, 2020

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Decoding the Visual Language of Tarot Cards

Art Living
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Amoako Boafo, Yellow Blanket, 2018

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William Pye, Clearwater Cube, 2000

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Lucienne Bloch, Frida Winking, 1933

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The “Cultural Time Capsule” Celebrating Creativity Under Lockdown

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Lil Nas X’s Neon Cowboy Was as Transient as It Was Daring

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Le Corbusier, La Haut Cour de Justice, Chandigarh, India, 1951–56

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