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Ser Serpas’s New York Homecoming

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How ‘Bloody Lipstick, Blooming Dirt’ at Zéruì Exposes Our Toxic Relationship With Nature

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Shezad Dawood’s ‘Leviathan’ Is An Experiential Procession Between the Pews of Salisbury Cathedral

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At Lausanne’s Photo Elysée, a history of photography in three acts

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Ambition and Downfall Coalesce in Derek Fordjour’s Circus

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Jem Perucchini Celebrates the Legacy of Black British People in ‘Rebirth of a Nation’ in Brixton’s Underground Station

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How Bingen TV at Mimosa House Explores the Art Gallery as a Garden

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How Tamara Henderson’s ‘Green in the Grooves’ Explores the Importance of a Communion With the Earth That Surrounds Us

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Antonio Scott Nichols: Interdimensional Life on Saturn

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Urgent Calls to Action: How The Recent Unveils the Depths of our Environmental Crisis

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At Maison la Roche, Ludovic Nkoth Reframes the Portrayal of Blackness

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Sin Wai Kin’s Portraits at Soft Opening: “Every Character That I’m Trying to Create Is a Site for People to See Themselves”

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Ferrari, birdsong and the forces of nature: Nico Vascellari in Florence

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How Lawrence Lek Built a Fictional AI Conglomerate Inside an Abandoned Berlin Shopping Centre

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How ‘Chopped and Screwed’ at White Cube, New York, Investigated Systems and Structures

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Arlette’s José at Rose Easton: A Church In Which to Reflect Upon the Personal, Temporal and Sacred

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Ali Banisadr Pieces a Fragmented World Back Together In ‘The Changing Past’ at Victoria Miro

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The Eternal Ballad of Nan Goldin: Behind the Walls of Nan Goldin’s Last Retrospect

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The Beauty in the Devil: Stefanie Moshammer’s ‘Each Poison, A Pillow’

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‘We Can Become Limitless’: Soull and Dynasty Ogun on Their Art World Debut 

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Hilary Harkness’s Intricate Paintings Confront America’s Troubled History

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Anna Uddenberg’s ‘Home Wreckers’ Explores Desire and Affect in Our Technology-Bound Consumer Culture

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Constellation du Louvre by Jean-Marie Appriou Constructs an Anamilistic Myth of the Louvre at Paris+

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The Very Best of London’s Frieze Week: Outside of the Tent

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