OUT NOW ISSUE #48

Profile

Art

María Berrío: “My Characters Are Part of a Full World Who Can’t Exist Without Others”

Art

Misheck Masamvu: “We Sit at the Table but Don’t Know How to Use the Tools…”

Art

Tyson Reeder: “The Yellow Palm Trees Really Pop on the Jackets”

Photography

Erwin Olaf: “Many Art Forms Can Make You Cry but Photography Rarely Does”

Art

Bo Choy: “I Act as a Conduit Between Different Worlds…”

Art

“I Made a Bunch of Dicks”: Meet Al Freeman

Art

Remembering Duggie Fields: “I Have a Love of Creativity”

Art

The Architect Turned Designer Using Patchwork to Confront His Hybrid Identity

Photography

Matthew Morrocco Asks, Who Has the Right to Privacy in a Very Public World?

Art

Danh Vo Goes in Search of History

Photography

Nick Sethi on Using Social Media to Navigate His Way Across India

Photography

Jess T Dugan on Desire, Ageing and the Intersectional Gaze

Photography

Why This Chinese Photographer Takes Pictures of Naked Western Men

Art

An Audience with Miao Ying, the Artist Laughing in the Face of China’s Authorities

Art

Genieve Figgis: When the Dinner Party Becomes a Ghoulish Social Portrait

Art

Conspiracy Theories, Grief and Carnage: Meet Carolina Hicks

Art

The Making of Trulee Hall’s Riotous Lesbian Goddess Cult

Art

Tschabalala Self on Why Representation Is More Important Than Ever

Art

The Radical Honesty of Graphic Novelist Sabba Khan

Art

Tracey Emin on Following Your Emotional Instinct and Turning Inwards

Art

This Tender Dedication to Queer Love Confronts Italy’s Fascist Past

Art

Sexuality, Solace and Social Power in the Work of Billie Zangewa

Art

Bosco Sodi’s Paintings Are Reminiscent of Extraterrestrial Topography

Art

Languid Hands: Curating Under White Supremacy