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Emily Burke
Sex Exhibitions and the Line between Objectification and Education
SEX/ART
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Jem Perucchini Celebrates the Legacy of Black British People in ‘Rebirth of a Nation’ in Brixton’s Underground Station
On View
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How Bingen TV at Mimosa House Explores the Art Gallery as a Garden
On View
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Reginald Sylvester II’s Afro Futuristic Works Are Omens of The Apocalypse
In Conversation
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Kadara Enyeasi Constructs An Ongoing Story With Latest Presentation of Work
ART/ICLES
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At Maison la Roche, Ludovic Nkoth Reframes the Portrayal of Blackness
On View
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Sin Wai Kin’s Portraits at Soft Opening: “Every Character That I’m Trying to Create Is a Site for People to See Themselves”
On View
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The Cowboy’s Long Ride Through Contemporary Culture
Fresh Take
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Ferrari, birdsong and the forces of nature: Nico Vascellari in Florence
On View
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How Lawrence Lek Built a Fictional AI Conglomerate Inside an Abandoned Berlin Shopping Centre
On View
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Referential Refraction in the World of Anthony Cudahy
ART/ICLES
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Lagos Art Week Roundup
Fresh Take
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Sheida Soleimani’s Striking Tableaus Map the Intergenerational Trauma of Displacement
ART/ICLES
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Jake Grewal Paints a Picture of What it Means To Be Alive
ART/ICLES
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How ‘Chopped and Screwed’ at White Cube, New York, Investigated Systems and Structures
On View
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How Justin Yoon’s Technicolour Dreamboats Are Finding Utopia in the Absence of Conflict
In Conversation
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Arlette’s José at Rose Easton: A Church In Which to Reflect Upon the Personal, Temporal and Sacred
On View
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Ali Banisadr Pieces a Fragmented World Back Together In ‘The Changing Past’ at Victoria Miro
On View
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How ruby oyinyechi amanze’s Practice Interrogates the Role of Space
ART/ICLES
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How Ragnar Kjartansson’s ‘The Visitors’ Changed My Life
This Artwork Changed My Life
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The Eternal Ballad of Nan Goldin: Behind the Walls of Nan Goldin’s Last Retrospect
On View
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The Beauty in the Devil: Stefanie Moshammer’s ‘Each Poison, A Pillow’
On View
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Atlanta Art Week Roundup
Fresh Take
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Anna Uddenberg’s ‘Home Wreckers’ Explores Desire and Affect in Our Technology-Bound Consumer Culture
On View
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