Art Living

Does George Osborne at the British Museum Signal a Dangerous Blow to the Arts?

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Elephant Is Looking for an Experienced Freelance Digital Sales Agent

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Announcing Our New Link-up with Hin

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Does Fashion Have a Place During a Pandemic?

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Did AfriCOBRA Shape the Future of African American Art?

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Art and the Law: What Images from the Criminal Justice System Can Teach Us

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Illustration by Derek Abella for Elephant

The Dubious New Double Standards of ‘Valid’ Criticism

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Dress For Success: Does What an Artist Wears Really Matter?

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Behind the Mask: Face to Face with Rashid Johnson’s The Hikers

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You’ve Got Mail: The Meteoric Rise of the Email Newsletter

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Ride or Die: A Vivid Tribute to LA’s Lowrider Community

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Will Purple Bedroom Walls Wreck Your Relationship?

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Why Is It So Hard to Talk About Fertility?

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Dawoud Bey’s Up-Close Snapshots of a Changing Generation

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The Struggle for India’s Soul: The Story of The Bengal School

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Is David Driskell Finally Getting the Creative Credit He Deserves?

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Illustration by Amina Bouajila for Elephant

Life as a Working-Class Arts Student: “I Found Myself at a Cultural Disadvantage”

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Mother of Dragons: Carlota Guerrero’s Debut Book Blazes with Life

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The Female Graphic Designers Muted by the Music Industry

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Can Humiliation Make You Whole? On Obsessive Love in Life and Art

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Zakia Sewell: “Can Albion Ever Truly Belong to Someone Like Me?”

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Pushing the Envelope: A Delivery of Incredibly Decorated Illuminated Letters

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College Green, Bristol, UK. 16th Mar 2021. Floral tributes laid during the reclaim the Streets vigil for Sarah Everard. Courtesy JMF News/Alamy Live News

#EducateYourSons: Why Image-Based Activism Does Not Show The Full Picture

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Tutti Frutti: Unpeeling Glorious Watercolour Images of Fruits and Nuts

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