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The Anecdote
The Index
The Index
The Political History of Black Identity and Swimming
The Index
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Sue Williamson Sends a Collective SOS
The Index
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First Impressions from Asia’s Oldest Art Biennial
The Index
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An Era Has Ended
The Index
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Announcing the Elephant x Griffin Art Prize Longlist
The Index
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Equal Opportunities for Nudes and Battle of the Statues
The Index
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Social Tensions and Alternative Beauty in Johannesburg
The Index
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Alice Irwin: Alchemy with Acid
The Index
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Tómas Saraceno to Spin His Web in Palais de Tokyo
The Index
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The Ambitious Gwangju Biennale Tackles Imagined Borders
The Index
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Victoria Sin’s Sensual Feeding Frenzy
The Index
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First Look at the Brussels Art on Paper Fair
The Index
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Martine Syms’s Lessons on Black Radicalism
The Index
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Theaster Gates: Who Are the Builders?
The Index
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Autumn Fever Hits and Museums Cure Chronic Pain
The Index
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Angsty Drawings: Pain in Pencil
The Index
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Home Comforts: How Do You Hang Yours?
The Index
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The Artist Fixing Our Collective Heartbreak
The Index
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Ian Davenport: Pouring, Dripping, Puddling
The Index
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Frenetic Joy and Startup Psychology in Tel Aviv
The Index
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Jonny Negron’s Pulsating Bodies Evoke a Messy Human Experience
The Index
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The Cross-Border Banquet that United Mexico and the States
The Index
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Woah, Baby! Unusual Infants and Middle-Aged Messiahs
The Index
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Whose Round Is It Anyway?
The Index
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![Martine Syms, Lessons I-XXX [film still] 2014. Copyright Martine Syms, courtesy Sadie Coles HQ, London](https://elephant.art/wp-content/uploads/2018/08/Lessons_I-XXX_2014_006_canonical-460x460.jpeg)
