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Shu Lea Cheang, UKI Virus Rising, 2018

The Ambitious Gwangju Biennale Tackles Imagined Borders

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Tell Me Everything You Saw, and What You Think it Means, 2018. Film still (detail)

Victoria Sin’s Sensual Feeding Frenzy

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Stems Gallery, Walter Robinson, Operation Tokyo, 2016

First Look at the Brussels Art on Paper Fair

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Martine Syms, Lessons I-XXX [film still] 2014. Copyright Martine Syms, courtesy Sadie Coles HQ, London

Martine Syms’s Lessons on Black Radicalism

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Theaster Gates Bristol Sanctum 2015 Urbanism Architecture Artist Elephant Magazine Cities

Theaster Gates: Who Are the Builders?

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Autumn Fever Hits and Museums Cure Chronic Pain

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Angsty Drawings: Pain in Pencil

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Sasha Bowles, Hairy Interventions, at Arthouse1

Home Comforts: How Do You Hang Yours?

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The Artist Fixing Our Collective Heartbreak

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Ian Davenport: Pouring, Dripping, Puddling

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Frenetic Joy and Startup Psychology in Tel Aviv

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Jonny Negron’s Pulsating Bodies Evoke a Messy Human Experience

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JR, Migrants, Mayra, Picnic across the border, Quadrichromie, Tecate, Mexico - U.S.A., 2018. Courtesy of the artist and Perrotin.

The Cross-Border Banquet that United Mexico and the States

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David Černý's Miminka, outside the Museum Kampa, Prague. Photo: Panoramio

Woah, Baby! Unusual Infants and Middle-Aged Messiahs

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Whose Round Is It Anyway? 

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Anish Kapoor, Descent Into Limbo, Havana (2016). Photo by Paola Martinez Fiterre, courtesy of Galeria Continua

Anish Kapoor Goes Slapstick and Brussels Honours Magritte  

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Carroll Dunham Left for Dead (3), 2017-2018. © Carroll Dunham. Courtesy the artist and Gladstone Gallery, New York and Brussels

Carroll Dunham’s Nude Wrestlers Reveal Tenderness and Brutality

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Ulay, Renais sense (White Mask), 1974/2014. Private collection, London

Liberation / Confrontation: The Inclusive Embrace of Drag

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Peake and Wilding Play the Body with Perfect Disharmony

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Let It All Out! The Art of Screaming

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Why a Retrospective (or “Schmetrospective!”) is Just the Start for this Artist

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Edinburgh: the Bubbliest of Cultural Bubbles

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Depicting Demons with Tom de Freston

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Illustration by Becca Pelly-Fry

Have We Lost Touch With Real Human Connection?

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