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Sarah Sze Paints a Picture

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Have We Become Blind to the Purely Visual?

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Geomancer, 2017. Commissioned for the Jerwood/FVU Awards. Images courtesy the artist and Sadie Coles HQ, London

MJ’s Last Portrait, Chaka Khan’s Moves and a Farting Unicorn 

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Plastic Fantastic: Female Pleasure and 1960s Pop

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Ryuichi Sakamoto Coda Stephen Nomura Schible composer music

Coda: Ryuichi Sakamoto’s Environmental Quest

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Wanda Czelkowska Self Portrait, Early 1970s B&W photograph Thaddeus Ropac London Feminist Artist

Land of Lads: Celebrating the Female Avant-Garde

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Emma Cousin on Danger and Discomfort

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Alexandra Noel, Why can’t you be more like, 2018

Five Shows to See at Condo New York

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Painting the Surreal Politics of Long Hair and Nails

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Yinka Shonibare: Myths, Magic and Meditation

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Mark Bradford, Tomorrow Is Another Day, La Biennale di Venezia, US Pavilion, Venice, Italy, 2017. Installation view. Photo: Joshua White. Courtesy the artist and Hauser & Wirth

Mark Bradford Tears Up Tradition

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Cory Arcangel, a digital hacker turned artist, at his studio in New York, May 11, 2011. Arcangel, who has a show coming to the Whitney Museum of American Art, specializes in modifying old videogames and other electronic detritus into statements about the role of technology. (Todd Heisler/The New York Times) -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE MAY 22, 2011.

Cory Arcangel: LOL, TBH

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Mary Cassatt, Mother Rose Nursing Her Child

Getting to Grips with Motherhood

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First We Take the Louvre! Plus Christo and Kapoor

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Frida Kahlo with Olmec figurine, 1939. Photograph Nickolas Muray. © Nickolas Muray Photo Archives

Looking Beyond the Icon of Frida Kahlo

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Dream Works, Kate MacGarry, 2018. Photo Angus Mill

Come Together: Five London Group Shows for Summer

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Unlearning America’s History with Torkwase Dyson

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Denzil Forrester, Jah Shaka, 1983

Denzil Forrester: From the Caribbean to Cornwall

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Eikoh Hosoe, Kamaitachi 17 (1965) © Galerie Jean-Kenta Gathier, Paris

Flying in the Face of Convention at La Maison Rouge

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Billie Zangewa, Christmas at the Ritz, 2006

Billie Zangewa on her Sociopolitical Silk Works

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Love is the Message, The Message is Death (still), 2016. Courtesy: The Artist and Gavin Brown's enterprise (New York / Rome)

Arthur Jafa’s Message of Love and Death

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Stealing Precious Time at Art Basel

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Basel Fever, Henry Taylor’s Win and the Serpentine Pavilion Goes Global

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Installation view of Jon Rafman, Dream Journal 2016-2017, 2017, presented by Sprueth Magers at Art Basel Unlimited, 2018. Courtesy of Art Basel

Existential Anxiety at Art Basel

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