Under the Influence

Andra Ursuţa: The Reasons Why Ghost Photography Haunts My Work

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Ian Cheng: How the Ideas of Eric Berne Shaped My AI Creations

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Frank Bowling: Piet Mondrian Showed Me How to Frame the Action in My Own Works

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Duro Olowu: Two Very Different Painters Taught Me about Being Eclectic

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Joey Holder: Mark Leckey Showed Me That Art Isn’t About the Finished Product

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Holly Stevenson: Freud’s Ashtray and Cigar Lit a Creative Fire in Me

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Jade Montserrat: The Gutai Collective Taught Me How to Connect to My Materials

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Elmgreen & Dragset: How a Minimalist and a Classicist Had Equal Impact On Us

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Victoria Cantons: How Jenny Saville Gave Me the Courage to Be Uncompromising

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Victoria-Idongesit Udondian: How El Anatsui Reshaped My Awareness of Art Materials

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Tae Kim: How my Gamer Portraits Echo Traditional Korean Paintings

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Donatello (born Donato di Niccolò di Betto Bardi), c.1386 – 1466, “Mary with Child and Angels”, so-called “Madonna dei Cordai” (Madonna of the Rope Makes), c. 1433/35. Museo Bardini, Florence, Italy

Rachel Feinstein: How Donatello’s Work Helped Me Tap Into Something Universal

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Jacqueline de Jong: How Oskar Schlemmer’s Bauhaus Stairway Elevated Her Art

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Gisela McDaniel: “Gauguin’s Paintings of Pacific Islanders Felt Like Theft to Me”

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Jesse Mockrin: How Saint Sebastian Tended by Saint Irene Has Fuelled My Latest Works

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"Untitled" (Placebo), 1991. Candies in silver wrappers, endless supply. Overall dimensions vary with installation. Ideal weight: 1,000 - 1,200 lb. © Felix Gonzalez-Torres. Courtesy of the Felix Gonzalez-Torres Foundation. Installed in Felix Gonzalez-Torres: Specific Objects without Specific Form. MMK Museum für Moderne Kunst, Frankfurt, Germany. 28 Jan. – 14 Mar. 2011. Photo: Axel Schneider, Frankfurt-am-Main

Cynthia Daignault: I Learned from Felix Gonzalez-Torres That Less Can Be More

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Rosalind Nashashibi: How I Reluctantly Allowed Renoir to Shape My Art

Under the Influence
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Ad Minoliti: My Teacher’s Alternative Methods Helped Me to Enjoy Painting

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Pablo Bronstein: Why I’m Obsessed with Sir John Soane’s Radical Picture Room

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Lucy Stein: How the Punk-Rock Power of Selva Oscura Set Me Free

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Dawn Williams Boyd: Faith Ringgold Inspired Me to Change My Art

The Index
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Jean-Honoré Fragonard (1732-1806). Paris, Musée du Louvre

Flora Yukhnovich: Jean-Honoré Fragonard Taught Me the Immersive Power of Paint

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