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Contemporary Classics
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Contemporary Classics
Hot Stuff: The Rise and Rise of the Lao Gan Ma Brand
Contemporary Classics
How Angry Birds Reshaped the World
Contemporary Classics
Visual Fast Food? The Sinister Side of Peppa Pig
Contemporary Classics
The Meaning of #FreeBritney
Contemporary Classics
The Design of Reni Eddo–Lodge’s Debut Speaks to the Invisibility of Whiteness
Contemporary Classics
Shygirl’s Raucous World of Pleasure Breaks Through Cultural Boundaries
Contemporary Classics
Jeff Koons’ Made in Heaven Sells Sex as the Ultimate Commodity
Contemporary Classics
The TikTok That Changed Our Lives, If Only For 25 Seconds
Contemporary Classics
Huma Bhabha’s Sculpture Is the Monument We All Need
Contemporary Classics
Wrecking Ball: The Very Public Sexual Awakening of Miley Cyrus
Contemporary Classics
The Trump Blimp Pokes Fun at a Man Who Is Always Full of Hot Air
Contemporary Classics
Nick Cave’s 20,000 Days on Earth Deconstructs the Making of a Rockstar
Contemporary Classics
The Wild, Rebellious Ecstasy of Michael Clark’s Tribute to David Bowie
Contemporary Classics
Sellout or Swag? The Runaway Success of Odd Future’s Pink Donut Logo
Contemporary Classics
The Nike Shoes That Took Over Marathon Running
Contemporary Classics
Hayv Kahraman’s Paintings Question the Language of the Pandemic
Contemporary Classics
Back to Work? Chronicling the Greed and Alienation of the Financial Crash
Contemporary Classics
This Chanel No.5 Ad Is the Epitome of Excess, Pre-Financial Crash
Contemporary Classics
Sports Banger’s NHS T-Shirts Are the Epitome of Grassroots Philanthropy
Contemporary Classics
Riz Ahmed’s Dire Warning About Unchecked Racism in the UK
Contemporary Classics
Jeremy Deller’s Rainbow Poster Gets Straight to the Point, But Is it Enough?
Contemporary Classics
A Giant Bouncing Belly Captured the Spirit of Noughties Advertising
Contemporary Classics
Jordan Casteel Celebrates Black Experience Away from the Pain of Inequality
Contemporary Classics
Is Beyoncé‘s Sumptuous Homecoming a Template for Pandemic-Proof Culture?
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