Contemporary Classics

Contemporary Classics

How Break Down by Michael Landy Is Subverted in the Digital Age

Contemporary Classics

Down the Long Slide: Carsten Höller’s Test Site

Contemporary Classics

Stanley Donwood’s Chilling, Prescient Artwork for Radiohead’s Kid A

Contemporary Classics

Sarah Lucas got Women to Throw 1000 Eggs at the Wall

Contemporary Classics

Colonial Pasts Are Confronted in Lisa Reihana’s Moving Wallpaper

Contemporary Classics

Fire It Up! Bill Viola’s Lady in Flames

Contemporary Classics

Wong Ping’s World-Weary Witch

Contemporary Classics

Harmony Korine’s Grotesquely Comedic Trash Humpers

Contemporary Classics

Hans Op de Beeck’s Ash-Coated Cabinets

Contemporary Classics

Weaving the Woodland with Kiki Smith

Contemporary Classics

That Time Marina Abramović Ate a Raw Onion

Contemporary Classics

Get Your Groove On with Faith Ringgold

Contemporary Classics

What’s the Time, Mr Marclay?

Contemporary Classics

Sue Williamson Sends a Collective SOS

Contemporary Classics

Martine Syms’s Lessons on Black Radicalism

Contemporary Classics

The Cross-Border Banquet that United Mexico and the States

Contemporary Classics

Looking Back on Love Lost and Found with Alec Soth

Contemporary Classics

The Subversive Pleasure of Jenny Holzer’s Truisms

Contemporary Classics

Michael Wolf and the Torture of Tokyo Rush Hour

Contemporary Classics

Hito Steyerl’s Lessons in Invisibility

Contemporary Classics

Omar Victor Diop Reconceives Depictions of Africans in Art

Contemporary Classics

Deride and Conquer: Before the Banksy Boom

Contemporary Classics

Doug Aitken’s Portrayal of the Jet-Set Life

Contemporary Classics

Ed Atkins’s Desperate Tale of Woe