Curating

Escape Into a World of Shapeshifting Structures and Strange Lines

Culture
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Find Surface Glamour and Buried Emotion in April’s Unmissable Art Books

Culture
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Meiro Koizumi, The Angels of Testimony (still), 2019

“Representation, Trauma and Privilege” Unite the Artes Mundi 9 Shortlist

The Index
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Jo Stockham, Artists in Schools, residency at John Scurr Junior, 1987, Whitechapel Gallery. Whitechapel Gallery Archive.

How Can Gallery Education Programmes Encourage Diversity and Inclusion?

Art Living
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Conceptual Art in Law Enforcement, Counterfuture, spread

A Sinister New Instagram “Aesthetic” Conflates Violence With Titillation

Culture
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Numbered Editions, DaDaLand, 2019

The Artists Keeping the Absurdist, Irreverent Spirit of Dada Alive

The Index
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When Nigerians Say #ENDSARS, We’re Not Just Speaking for Ourselves

The Index
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Marfa’s Arid Desert Was the Ultimate Outdoor Gallery for Donald Judd

Art Living
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Ali Mobasser, Afsaneh Box 3

Stories of the Iranian Diaspora Are Chronicled in These Poignant Family Images

Culture
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The Website Designers Bringing Art Galleries to Life Online

The Index
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How Will the Coronavirus Crisis Affect Emerging Artists and Galleries?

Art Living
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Beautiful Losers (2008), promo image

Probably the Only List of Artist Films You’ll Ever Need

Culture
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Art Meets Commerce: Should Billboard Art be a Thing?

The Index
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Why We Need to Foreground the African Female Gaze

Culture
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Newsletter illustration by Anu

From the Gallery to the Couch: How Exhibitions Have Gone Digital

The Index
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By Darren Evans as part of Divine photography show at The Horse Hospital

Is There a Future for London’s Independent Art Spaces?

Art Living
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Why These Artists Brutalize the Female Body

The Index
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How Artists and Galleries Fell in Love with the Great British Seaside

The Index
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These Radical Chinese Artists Go to New Extremes to Make Their Art

The Index
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Luciana Martinez de la Rosa, Pru Pru, 1981. Photo by Maria Anastassiou

Brit Glam: The Groundbreaking Queer Artists Who Redefined Camp

The Index
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Why We Need Collectives Now More Than Ever

The Index
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Who Were the Art World’s Biggest Crushes of 2019?

The Index
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Is Migration The Most Politically Charged Subject in the World?

Art Living
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Compost Daddy (2018) by Annie Mackinnon. Image courtesy the artist and New Contemporaries

How New Contemporaries Predicted Many of British Art’s Biggest Names

The Index
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