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The Anecdote
The Index
The Index
Tacos and Comic Strips: Welcome to Chicago’s Newest Drawing Biennial
The Index
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Virginia Chihota Questions the Bonds of Family in Her Silk-Screen Works
The Index
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The Women Making Video Art Under Lockdown
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A Very Different Kind of Interview with “Slacker Artist” Misaki Kawai
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“Representation, Trauma and Privilege” Unite the Artes Mundi 9 Shortlist
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Olivia Twist Celebrates the Small, Defining Moments That Make Up Life
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Angela Heisch’s Ambiguous Gradient Paintings Evoke the Joy of Stargazing
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Ones to Watch: The Definitive Art Stars of 2021
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Flo Kasearu Makes Art with the Women Fleeing Domestic Violence in Estonia
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An Audience with Miao Ying, the Artist Laughing in the Face of China’s Authorities
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Inhotim: The Immense Brazilian Sculpture Park Where Artists Go Big
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Mythology and Memory Come Together in Joy Yamusangie’s Dreamlike Work
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Walk This Way: How the Pandemic Transformed Gallery Wayfinding
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Genieve Figgis: When the Dinner Party Becomes a Ghoulish Social Portrait
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Video Artist Jordan Strafer on the Agony and Ecstasy of Making Creative Work
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Conspiracy Theories, Grief and Carnage: Meet Carolina Hicks
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Bye Bye Biennial: The Global Art Event Gets an Empathetic Reboot in Istanbul
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The Making of Trulee Hall’s Riotous Lesbian Goddess Cult
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Why Are Botched Art Restorations So Captivating?
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Bristol’s Black Arts Scene Is a Force To Be Reckoned With
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Noiamreiss Celebrates the Intricate Art of Braiding
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Tschabalala Self on Why Representation Is More Important Than Ever
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Tired and Scared: The New Normal in Figurative Painting
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The Radical Honesty of Graphic Novelist Sabba Khan
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