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The Anecdote
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The Index
When Nothing is Certain, Can Collage Offer a Space for Contemplation?
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The Print Sale Raising Essential Funds in the Wake of the Beirut Explosion
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On the Cover: Lina Iris Viktor’s Expansive Image of Black History
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Elephant’s Brand-New Autumn Issue Asks: Who Needs Optimism?
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Derek Ercolano Illustrates the Euphoric Sounds of Acid House
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Derek Fordjour Uses Sport as the Perfect Allegory for Organised Society
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Nick Cave’s 20,000 Days on Earth Deconstructs the Making of a Rockstar
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The Wild, Rebellious Ecstasy of Michael Clark’s Tribute to David Bowie
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The Artist Using the Humble Potato to Tackle “Kitchen Sink Realism”
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These Artists Explore the Meaning of Spirituality
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The Decadent Art-Filled Villa Hidden for Half a Century in Northern Italy
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Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint
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These Are the Artists You Need to Know Right Now
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The Secret Stories at the Edge of John Stezaker’s Pictures
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The Expressive Painters Making Sense of a Chaotic World
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What Does it Take to Work as an Artistic Duo?
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Joy Labinjo’s New Paintings Are an Unflinching Look at British Racism
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The Nostalgic Intrigue of Rayvenn D’Clark’s Uncanny 3D-Printed Sculptures
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Distant Sounds: How Two Artists Composed a Site-Specific Work from Home
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Western Museums Are Problematic: What Can Be Done to Change Them?
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Hayv Kahraman’s Paintings Question the Language of the Pandemic
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Pieter Schoolwerth Reveals Violent Cracks in the Digital Self
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The Colourful Return of Postmodernism Celebrates Difference and Diversity
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Has the Mantelpiece Lost Its Place at the Heart of the Home?
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