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Who Were the Art World’s Biggest Crushes of 2019?

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Bodies Tumble and Fall in France-Lise McGurn’s Impulsive Drawings

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Rose B. Simpson Explores the Human Condition Through Her Native American Past

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Why Heavy Metal and the Visual Arts Go Hand in Hand

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Were These the Most Taboo Artworks of the Last Decade?

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Jacqueline de Jong’s Monstrous Beasts Call For a Less Regimented World

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Lydia Blakeley Is This Internet Art, 2019

Lydia Blakeley Paints the Weird Corners of the Internet

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Source of Stress or Self-Care Serenity? The Bathtub in Visual Culture

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Can Computers Dream? Refik Anadol Explores The Future of Artificial Intelligence

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João Gabriel: From Pornographic to Pictorial

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Glen Pudvine’s Paintings Probe Masculinity

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Decadence and Denial: Dispatches From Art Basel Miami Beach

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Hypnotic Harmony: The Light Artist Transforming the River Thames

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Marguerite Humeau, Sphinx Otto Protecting Earth from Humankind (from the Riddles series), installation view, Bosquet de l’Arc de Triomphe, Château de Versailles, 2017

Marguerite Humeau: Are Animals Conscious of Their Own Mortality?

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Who’s Afraid of the Great Outdoors?

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Elephant’s New Winter Issue: Can Artists Stop the World from Burning?

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Is Painting Animals Just Twee and Decorative?

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Soheila Sokhanvari Places Iran’s Forgotten Female Pop Stars in the Spotlight

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This Is Nairy Baghramian’s Year, and She’s Sharing It with Close Female Collaborators

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This New Moroccan Biennale Takes a Pioneering Stance on Gender

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The Dreamlike Allure of Takeshi Makishima’s Underwater Paintings

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Ebecho Muslimova, Fatebe Deep Frog Organza, 2019

The Artist Acting Out Her Anxieties Through an Alter Ego Who Refuses to Die

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What Happens to Counter-Culture When Everything Is Swallowed Up By #Content?

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The Israeli Artist Who Set Up a Desert Island in His Own Kitchen

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