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How Director Terence Nance Brought Afrofuturism Into the Light

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Oliver Mulvihill, The Rush for Rachel's Party

The Future of Painting Is Here, and It’s Weird As Hell

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Dive Deeper Into Michaela Yearwood-Dan’s Sexy, Super-Romantic Paintings

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Where Should You Go To See Great Art in 2020?

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Why We Need Collectives Now More Than Ever

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Ho Tzu Nyen, 2 or 3 Tigers, 2015. Synchronized double channel HD (CGI) projection, 10 channel sound 18 min 46 sec. Courtesy the artist and Edouard Malingue Gallery

How Do We Fix Our Broken Relationship with the Natural World?

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Who Were the Art World’s Biggest Crushes of 2019?

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Bodies Tumble and Fall in France-Lise McGurn’s Impulsive Drawings

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Rose B. Simpson Explores the Human Condition Through Her Native American Past

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Why Heavy Metal and the Visual Arts Go Hand in Hand

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Were These the Most Taboo Artworks of the Last Decade?

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Jacqueline de Jong’s Monstrous Beasts Call For a Less Regimented World

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Lydia Blakeley Is This Internet Art, 2019

Lydia Blakeley Paints the Weird Corners of the Internet

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Source of Stress or Self-Care Serenity? The Bathtub in Visual Culture

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Can Computers Dream? Refik Anadol Explores The Future of Artificial Intelligence

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João Gabriel: From Pornographic to Pictorial

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Glen Pudvine’s Paintings Probe Masculinity

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Decadence and Denial: Dispatches From Art Basel Miami Beach

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Hypnotic Harmony: The Light Artist Transforming the River Thames

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Marguerite Humeau, Sphinx Otto Protecting Earth from Humankind (from the Riddles series), installation view, Bosquet de l’Arc de Triomphe, Château de Versailles, 2017

Marguerite Humeau: Are Animals Conscious of Their Own Mortality?

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Who’s Afraid of the Great Outdoors?

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Elephant’s New Winter Issue: Can Artists Stop the World from Burning?

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Is Painting Animals Just Twee and Decorative?

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Soheila Sokhanvari Places Iran’s Forgotten Female Pop Stars in the Spotlight

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