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Joey Holder: Mythology & Machine Parenting

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This Artist Is Rolling a Giant Silver Ball Around Cornwall

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Marianna Simnett, Blood in My Milk, 2018. Still 5-channel HD video instillation.

Marianna Simnett: Blood & Milk

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Swatch Hits a Decidedly Upbeat Note at the Venice Biennale

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The Artist Rethinking Paint in 3D to Create Plastic Rainbows

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A New Festival for Brussels: Art, Music and Everything in Between

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Gina PANE Action Psyché, 1973 (detail) A set of twenty five colour photographs, preparatory drawings, and coloured slides © The Estate of the Artist; Courtesy Richard Saltoun Gallery

How Do You Present Performance Art Once It’s All Over?

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Bonny Poon, Peter Friel and Calvin Glaze, Rich and Famous Magazine (Issue 1), 2017.

Basel’s Hip Younger Sibling Takes a Walk on the Wilder Side

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Why Is the Art World Heading to Zurich?

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A Pain That I’m Used To: When the Art World Embraced S&M

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A Newt, a Quilted Cock and a Broccoli Walk Into an Art Fair

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Isaac Julien, Ten Thousand Waves, 2010. Nine-screen installation, 35mm film transferred to High Definition, 9.2 surround sound, 49' 41". Installation view, the Museum of Modern Art, New York, 2013. Courtesy of the artist, Metro Pictures Gallery, New York and Victoria Miro, London/Venice. Photographer: Jonathan Muzikar

Soul-Stirring Ten Thousand Waves Makes Poetry of Film

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Kubataba: An Exhibition with Contemporary African artists © Photo: Nina Ansten / Vestfossen Kunstlaboratorium

Art from Africa Is Getting Its Long-Overdue Recognition

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Portrait by Vytautas Kumza

Nazif Lopulissa Finds Moments of Art in City Playgrounds

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Alex Da Corte, Slow Graffiti, 2017. Mechanical Viennese theatre curtain, video, colour/sound dimensions variable; duration: 13 minutes © Alex Da Corte, courtesy Karma, New York

Shock Horror: Who’s Afraid of Contemporary Art?

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Yang Fudong, Dawn Breaking - A Museum Film Project, 2018. 36-day durational Performance. Filming scene on 22 April (the 30th filming day). All images © Yang Fudong. Courtesy the artist, Long Museum (Shanghai, West Bund) and Marian Goodman Gallery

Yang Fudong Takes Viewers Behind the Camera in His Epic Films

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Jakob Lena Knebl Seduces with Bright Colour and Bold Politics

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Valie Export: Strategies for Resistance

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Nathalie Djurberg & Hans Berg, Passing Comfort, 2016

Got Milk? Why the White Stuff Is So Political

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Big Boned? Kristina Schuldt’s Women Are High-Heeled, Heavy and Heroic

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Luke Jerram’s Ghostly Installation Brings the Moon Within Reach

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Vera Chytilova, Daisies, 1966, still

A Political (Dinner) Party: Food and Subversion in Czech Cinema

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Katharina Grosse: The Icon of Possibilities

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Why Art About AI Has More to Tell Us About Ourselves

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