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Fraser Muggeridge studio, photography by Louise Benson

Why Being a Good Designer Doesn’t Make You an Artist

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Fernando Bayona, La Ultima Cena. Courtesy the artist and Almanaque

How Does Art History Impact Our Reading of the Male Body?

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All images: Avalanche: A Love Story by Maxine Peake © The Other Richard

The Theatre Shows Exploring IVF as the Ultimate Creative Act

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Laure Prouvost, Deep See Blue Surrounding You / Vois Ce Bleu Profond Te Fondre, French Pavilion at the 58th Venice Biennale, 2019. © Giacomo Cosua

The Five Pavilions You Have to See at the Venice Biennale

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Iris Kensmil’s Call for Black Visibility in Venice

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Death Is in the Air at the Venice Biennale

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Does Having a Child Make You See Art Differently?

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These Young Artists are Putting Europe Back Together 

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Ian Davis Broadcast, 2014. Courtesy of artist

Ian Davis: Nature Will Win in the End

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The Greatest Art Show on Earth? Explore the Venice Biennale in Pictures

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Ericka Beckman, Cinderella, still

Ericka Beckman’s Cinderella Is Not Your Disney Princess

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Curator Zoe Whitley Thinks Your Opinion Matters

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Tim Yip Could Radically Reshape Mainstream Expressions of Orientalism

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Marlene Dumas: The Image As Burden

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Easy to Swallow, Hard to Digest: Painting in the Fake News Era

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Nevine Mahmoud: Juicy Fruit and Hard Stone

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Getulio Alviani, Anthropometry, 1969. Photograph by Ada Ardessi

Elephant’s Guide to Venice Exhibitions Beyond the Biennale

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Jennifer Mehigan: BDSM and Human Blobs

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Dale Lewis: Orgies and Exposure

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Tim Noble & Sue Webster, Excessive Sensual Indulgence, 1996. 312 coloured UFO reflector caps, lamps and holders, steel structure, baked enamel, electronic light sequencer (4-channel bubble and chase effect) 188 x 88 x 17.5 cm. Signed and dated "Tim Noble Sue Webster 1996"

Ornament Takes on New Meaning at Artmonte-Carlo

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Anna Liber Lewis: Cock Paintings & Power

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Wong Ping: Doggy Love and Longing

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Republican, Fear, Love, Blood: The Many Meanings of Red

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An Unusual Time for Women at the Venice Biennale

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