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Ian Davis Broadcast, 2014. Courtesy of artist

Ian Davis: Nature Will Win in the End

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The Greatest Art Show on Earth? Explore the Venice Biennale in Pictures

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Ericka Beckman, Cinderella, still

Ericka Beckman’s Cinderella Is Not Your Disney Princess

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Curator Zoe Whitley Thinks Your Opinion Matters

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Tim Yip Could Radically Reshape Mainstream Expressions of Orientalism

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Marlene Dumas: The Image As Burden

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Easy to Swallow, Hard to Digest: Painting in the Fake News Era

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Nevine Mahmoud: Juicy Fruit and Hard Stone

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Getulio Alviani, Anthropometry, 1969. Photograph by Ada Ardessi

Elephant’s Guide to Venice Exhibitions Beyond the Biennale

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Jennifer Mehigan: BDSM and Human Blobs

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Dale Lewis: Orgies and Exposure

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Tim Noble & Sue Webster, Excessive Sensual Indulgence, 1996. 312 coloured UFO reflector caps, lamps and holders, steel structure, baked enamel, electronic light sequencer (4-channel bubble and chase effect) 188 x 88 x 17.5 cm. Signed and dated "Tim Noble Sue Webster 1996"

Ornament Takes on New Meaning at Artmonte-Carlo

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Anna Liber Lewis: Cock Paintings & Power

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Wong Ping: Doggy Love and Longing

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Republican, Fear, Love, Blood: The Many Meanings of Red

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An Unusual Time for Women at the Venice Biennale

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Why Do Artists Love Meditation?

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Tim Rollins and KOS Amerika, The Hotel Occidental, 2006

The Perfect Choir: Studio K.O.S. Embrace a New Bauhaus Model

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Prime Real Estate? When the Art World and Gentrification Got Into Bed Together

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NS Harsha Installation view Victoria Miro Gallery I, 16 Wharf Road, London N1 7RW 11 April - 18 May 2019 © NS Harsha Courtesy the artist and Victoria Miro, London/Venice

Unfolding the Universe with NS Harsha

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Rewriting the Rural: The Dark Truth of the Great Outdoors

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Invernomuto, Portrait, 2018. Photo Jim C. Nedd Courtesy Pinksummer

Observing Layers and Flimsy Realities at Artmonte-carlo

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Die Reine Notwendigkeit (black & white), 2016

David Claerbout: Appropriate Behaviour

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Michael Clark, Before and After: The Fall (2001), photographer: Andrea Stappert

The Visual Artists Designing for the Stage

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