Investigation

Rachel Rossin, I Came And Went As A Ghost Hand (Cycle 2), 2015. Courtesy the artist

Digital Disintegration: Why Artists Are Rejecting “New” Technology

The Index
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Is There an Ideal Age to Be an Artist?

The Index
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By Darren Evans as part of Divine photography show at The Horse Hospital

Is There a Future for London’s Independent Art Spaces?

Art Living
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Naked and Proud: This Is What It’s Like to Be a Life Model

Art Living
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Is Migration The Most Politically Charged Subject in the World?

Art Living
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The Secret Lives of Stock Photo Models

Culture
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Work by Alice Carman

Nine to Five: The Artists Who Work Day Jobs to Make Ends Meet

Art Living
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Snootie Studios, Some Like it Hot poster

Do Artists Have a Duty to Save the World?

Art Living
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Frances Chiaverini, Josh Johnson, Sacha Eusebe in Anne Imhof, Sex, 2019 Tate Modern, London Photography: Nadine Fraczkowski Courtesy the artist and Galerie Buchholz, Berlin/Cologne/New York

Impulse Buy? What Happens When Performance Art Goes Up For Sale

The Index
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A Supermarket, a Hairdresser and Even a Fridge Are Being Used to Exhibit Art

The Index
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Is the British Art World Too London-centric?

Art Living
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What Does Art Look Like If You’re Colourblind?

The Index
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The Making of a Truly Radical Arts Centre, Buried in the British Countryside

The Index
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Is Art Forgery a Dying Game in the Digital Age?

The Index
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Totes Awesome? The Rise and Rise of the Art and Design Tote Bag

Art Living
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This Is What it’s Like to Be Paid by the Government to Make Art

Art Living
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Keith Haring, Absolut (Pink & Blue), 1986. © Keith Haring Foundation

Show Me the Money: On Brands, Sponsorship and the Art World

Art Living
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Prime Real Estate? When the Art World and Gentrification Got Into Bed Together

The Index
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Why Can’t the Creative Industry Get Enough Sleep?

Art Living
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Illustration by Antonia Stringer

Does the Art World Have a Drinking Problem?

Art Living
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What Role Do Luxury Foundations Play in the Art World?

The Index
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This Is What It’s Really Like to Be a Gallery Attendant

Art Living
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