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On View
Ali Banisadr Pieces a Fragmented World Back Together In ‘The Changing Past’ at Victoria Miro
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The Eternal Ballad of Nan Goldin: Behind the Walls of Nan Goldin’s Last Retrospect
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The Beauty in the Devil: Stefanie Moshammer’s ‘Each Poison, A Pillow’
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‘We Can Become Limitless’: Soull and Dynasty Ogun on Their Art World Debut
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Hilary Harkness’s Intricate Paintings Confront America’s Troubled History
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Anna Uddenberg’s ‘Home Wreckers’ Explores Desire and Affect in Our Technology-Bound Consumer Culture
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Constellation du Louvre by Jean-Marie Appriou Constructs an Anamilistic Myth of the Louvre at Paris+
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The Very Best of London’s Frieze Week: Outside of the Tent
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Kenny Rivero’s Debut UK Solo Show Channels the Atmospheric Feel of a NYC Summer
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The Marina Abramović Takeover is a Full Circle Moment for Marina
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Emmanuel Massillon Masters Conspiracy
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What to See in NYC: September Gallery Guide
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Jonah Pontzer: Rock Bottom Princess
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How MHYSA’s Third Album Channels E. Jane’s Archive of Black Divas
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Daniel Lind-Ramos’s Moving Sculptures Are Vehicles for Puerto Rico’s History
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Behind the Pleasure Principle: Sadie Coles ‘Hardcore’
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This Imaginative New Exhibition by Sophie von Hellermann Captures the Spirit of Genius
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‘Saints and Sinners’ at GUTS Gallery Refuses to Let Us Look Away
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‘$Ell Your $Elf’: A Ride With Pippa Garner Through Her Iconoclastic Career
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Gavin Benjamin Offers a Reimagining of Black Subject-Hood and Proprietorship in Southwestern Pennsylvania
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Lauren Halsey’s Met Roof Garden Commission Explores the Power of Architectural Symbolism
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The Power of Exchange
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Feminist Icons: The Women Artists at the Cutting Edge in the 1970s
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Every Breath You Take… Art and Air Combine in a Lungful of New Shows
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