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Genieve Figgis: When the Dinner Party Becomes a Ghoulish Social Portrait

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Jordan Strafer, Keep, drawing for No Bag

Video Artist Jordan Strafer on the Agony and Ecstasy of Making Creative Work

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Conspiracy Theories, Grief and Carnage: Meet Carolina Hicks

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Bye Bye Biennial: The Global Art Event Gets an Empathetic Reboot in Istanbul

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The Making of Trulee Hall’s Riotous Lesbian Goddess Cult

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Why Are Botched Art Restorations So Captivating?

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Bristol’s Black Arts Scene Is a Force To Be Reckoned With

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Noiamreiss, They pull the strings(2020)

Noiamreiss Celebrates the Intricate Art of Braiding

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Tschabalala Self on Why Representation Is More Important Than Ever

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Christopher Hartman Your Glance, Heartache, 2020

Tired and Scared: The New Normal in Figurative Painting

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The Radical Honesty of Graphic Novelist Sabba Khan

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Phumzile Khanyile Untitled 2016, from the Plastic crowns series 2016. Courtesy of National Gallery of Victoria and Bowness Family Fund for Photography, 2019 

Identity and Speculation Are at the Heart of This Brave Australian Triennial

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Bread on a Seder Plate, 2020. All images courtesy Richard Heller Gallery

Justin Liam O’Brien Paints Loneliness as a “Pathological Condition”

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Artists and Curators Choose Their Standout Artists of 2020

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Cosmo Whyte’s Textured Response to a Year of Racial Upheaval

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Titus Kaphar Reveals Black Absence in the Starkest Terms

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Guillaume Vandame, anti-hero, 2020, readymade monkey figurine and rubber cock ring, both gifts from ex-lovers

How Guillaume Vandame Processed Unrequited Love Through Intimate Artworks

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These Are the Essential Artists You Need to Watch

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Jamie Crewe’s New Film Is a Nuanced Exploration of Gender in Isolation

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Unbound But Thoughtful: Chiizii on the Influence of Her Global Upbringing

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What It’s Really Like to Be Queer and Nursing

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Amaryllis DeJesus Moleski Splits the Rainbow to Imagine a Femme Genesis

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Tracey Emin on Following Your Emotional Instinct and Turning Inwards

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Can Diasporic Artists Ethically Collaborate with Local Craftspeople?

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