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The Anecdote
The Index
The Index
Genieve Figgis: When the Dinner Party Becomes a Ghoulish Social Portrait
The Index
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Video Artist Jordan Strafer on the Agony and Ecstasy of Making Creative Work
The Index
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Conspiracy Theories, Grief and Carnage: Meet Carolina Hicks
The Index
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Bye Bye Biennial: The Global Art Event Gets an Empathetic Reboot in Istanbul
The Index
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The Making of Trulee Hall’s Riotous Lesbian Goddess Cult
The Index
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Why Are Botched Art Restorations So Captivating?
The Index
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Bristol’s Black Arts Scene Is a Force To Be Reckoned With
The Index
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Noiamreiss Celebrates the Intricate Art of Braiding
The Index
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Tschabalala Self on Why Representation Is More Important Than Ever
The Index
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Tired and Scared: The New Normal in Figurative Painting
The Index
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The Radical Honesty of Graphic Novelist Sabba Khan
The Index
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Identity and Speculation Are at the Heart of This Brave Australian Triennial
Culture
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Justin Liam O’Brien Paints Loneliness as a “Pathological Condition”
The Index
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Artists and Curators Choose Their Standout Artists of 2020
The Index
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Cosmo Whyte’s Textured Response to a Year of Racial Upheaval
The Index
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Titus Kaphar Reveals Black Absence in the Starkest Terms
The Index
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How Guillaume Vandame Processed Unrequited Love Through Intimate Artworks
The Index
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These Are the Essential Artists You Need to Watch
The Index
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Jamie Crewe’s New Film Is a Nuanced Exploration of Gender in Isolation
The Index
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Unbound But Thoughtful: Chiizii on the Influence of Her Global Upbringing
The Index
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What It’s Really Like to Be Queer and Nursing
The Index
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Amaryllis DeJesus Moleski Splits the Rainbow to Imagine a Femme Genesis
The Index
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Tracey Emin on Following Your Emotional Instinct and Turning Inwards
The Index
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Can Diasporic Artists Ethically Collaborate with Local Craftspeople?
The Index
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