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Josephine Verstille (Nivison) Hopper, Untitled (Portrait of a Woman with Brown Hair) and Untitled (Landscape). Courtesy of PAAM, Gift of Laurence C. and J. Anton Schiffenhaus in memory of Mary Schiffenhaus, and two anonymous donors, 2016 and Gift of Alfred T. Morris Jr., 2000

Does the Artist’s Muse Have a Place in Our Modern World?

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Anxiety and Intimacy Come Together in Lewis Hammond’s Paintings

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The Website Designers Bringing Art Galleries to Life Online

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The Eerie Resonance of Gregor Schneider’s Disquieting Interiors

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Need Some Air? Take a Stroll with These Walking Artists

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William Eggleston, Memphis; negative about 1971; print 1980 © Eggleston Artistic Trust. Courtesy The J. Paul Getty Museum, Los Angeles, Gift of Caldecot Chubb

How the Fridge Became Our Contemporary Obsession

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Gaze Into the Unconscious Mind with Mary Herbert’s Fantastical Drawings

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These Artists Use Flowers to Playfully Reflect the State of the World

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William monk pace

For William Monk, Beauty Can Be Found in Catastrophic Places

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The Antagonistic Relationship Between Public Art and Luxury Housing

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Gretchen Scherer, Awaiting the Return, 2019. Image courtesy of Monya Rowe Gallery.

Gretchen Scherer’s Paintings of Empty Museums Feel Oddly Prophetic

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Jiab Prachakul’s Candid Portrait Evokes the Sociable World We All Miss

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The Video Editor Behind Jesse Jones’ Feminist Conjuring of the Witch

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Nicola Tyson’s Angsty Pencil Drawings Perfectly Capture Our Uncertain Times

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Banish Lockdown Boredom with These Arty Board Games

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Got Cabin Fever? Explore the Art of Looking Through Windows

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Paul Kindersley Uses Makeup and Wild Stories to Embrace a Post-Truth World

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Brittney Leeanne Williams’ Deep Red Paintings Signal Female Trauma

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Sol Calero Grapples With “Exotic” Stereotypes in Her Vibrant Work

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Tara Kopp Portrays the Tensions in Modern Life Through Doll-Like Characters

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Sales of Prints and Editions Offer a Lifeline to Artists During the Crisis

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Ever is Over All, 1997, audio video installation by Pipilotti Rist (video still) © Pipilotti Rist. Courtesy the artist, Hauser & Wirth and Luhring Augustine

Pipilotti Rist Undercuts Modern Femininity With Dreamlike Rebellion

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Rachel Rossin, I Came And Went As A Ghost Hand (Cycle 2), 2015. Courtesy the artist

Digital Disintegration: Why Artists Are Rejecting “New” Technology

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Bambou Gili, Ophelia In The Tub, 2019. Image courtesy of the artist and Arsenal Contemporary Art, New York

The Female Painters Exploring Our Relationship to the Bodies of Others

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