Alice Bucknell

Haroon Mirza Gives the Gift of Sound and Vision

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Amie Siegel Deconstructs the Fetishized Female Body

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Emily Mae Smith, Medusa Moderne, 2018. Courtesy of the artist and Perrotin.

Broom With a View: Emily Mae Smith’s Humorous Art-Historical Revisions

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Exhibition view: Simon Fujiwara, Revolution, Lafayette Anticipations, Paris, 2018. © Andrea Rossetti

Simon Fujiwara’s Revolution Is Televised, and it’s Terrifying

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Veronica Brovall, installation image. Courtesy of the artist and Sophia Contemporary.

Unpicking the Dominant Narratives of Sex with Veronica Brovall

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ROBOT LOVE Anna Uddenberg, Death Drop, Savage

Do Androids Dream of Contemporary Art?

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Pilvi Takala, Real Snow White, 2009, Courtesy the artist, Carlos/Ishikawa London

Can Contemporary Art Really Make Us Laugh?

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New Lovers: Steamy, Self-Aware Art Erotica

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Hito Steyerl’s Lessons in Invisibility

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Angsty Architecture 10

Angsty Architecture: Eight Fear-Inducing Buildings

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Mark Bradford, Tomorrow Is Another Day, La Biennale di Venezia, US Pavilion, Venice, Italy, 2017. Installation view. Photo: Joshua White. Courtesy the artist and Hauser & Wirth

Mark Bradford Tears Up Tradition

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Frida Kahlo with Olmec figurine, 1939. Photograph Nickolas Muray. © Nickolas Muray Photo Archives

Looking Beyond the Icon of Frida Kahlo

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Installation view of Jon Rafman, Dream Journal 2016-2017, 2017, presented by Sprueth Magers at Art Basel Unlimited, 2018. Courtesy of Art Basel

Existential Anxiety at Art Basel

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Sarah Lucas, Titty Bunny, 2018 with Sadie Coles

Preview: Eleven Galleries to See at Art Basel

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Sharing and Survival at the Venice Architecture Biennale

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Let There Be Light: Art’s Digital Afterlife

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Milan Design Week’s Loved-Up Furniture

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Ian Cheng: Introducing BOB

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Kehinde Wiley: Bright Light, Dark Waters

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Vanessa Baird’s Tenderness and Excess

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A Hyper-Sensory Future at Dutch Design Week

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Alligators and Activism

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What’s Love Got to Do with It?

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The Dream of Lost Time

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