United States

Reflections on Euphoria: Lina Iris Viktor

The Index
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Is David Driskell Finally Getting the Creative Credit He Deserves?

Art Living
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The Empty Faces of Shaina McCoy’s Paintings Are Full of Meaning

The Index
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“This Is Old! This is Ugly!” Capturing the Striking Street Style of Chinatowns’ Seniors

Culture
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Art Crush: All the Things We Want This Month

Culture
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Jammie Holmes, Carrying Caskets #3, 2021. © Jammie Holmes. Courtesy the artist and Library Street Collective

“There Is So Much Blood”: Death, Darkness and the Art of Jammie Holmes

The Index
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Why Ree Morton’s ‘Don’t Worry, I’ll Only Read You The Good Parts’ Made Me Cry

The Anecdote
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Fantasy Island: Adrienne Raquel Strips Strength and Seduction Bare

Culture
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The Female Graphic Designers Muted by the Music Industry

Art Living
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The Sound and Fury of Peter Adjaye’s Sonic Installations

The Index
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Who Are the New Guard Redefining the Spirit of New York City?

The Index
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Charles Gaines: “My System is a Firewall Between My Subjectivity and the Work”

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Elephant’s Pick of the Artists Making a Mark in April

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Tyson Reeder: “The Yellow Palm Trees Really Pop on the Jackets”

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Marking Time: Keeping Art Alive During the Covid Year 

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Fabric of Life: Bisa Butler Stitches Classic Photos Into a New Context

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Clashing Perspectives: The Powerful Tension of Gary Burnley’s Combined Portraits

The Index
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Photographing a Love Letter to Harlem

Culture
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Black Art Library Offers an Alternative to the White Art History Canon

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Women Painting Women: The Essential Artists to Watch

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These Photographs Capture the Human Impact of Social Control

Culture
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The Architect Turned Designer Using Patchwork to Confront His Hybrid Identity

The Index
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Paul Anthony Smith Picks Away at Photos to Reveal the Inner Lives of His Subjects

Culture
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Giddy with Identity: Fashioning the Self, One Gay Bar at a Time

Culture
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