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Theatre
Wasting Away: Paying a Visit to Tripoli’s Derelict Fair
Art Living
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Camila Falquez: “I Don’t Know If I’ll Have Time to Shoot All These Incredible Humans!”
Culture
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Venice Biennale Diary #4: “You’re Always Bumping into Someone From a Past Life”
Art Living
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Venice Biennale Diary #1: “The DJ Is Shouting: ‘When We Say Sonia, You Say Boyce…’”
Art Living
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To the Moon: Escape with Marcel Dzama’s Ode to the Magic of the Night Sky
Art Living
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Elephant’s Artists of the Year 2021, Part 2
The Index
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Lights, Camera, Inaction: America’s Movie Palaces Are Back in the Spotlight
Art Living
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Top of the Poops: Revisiting Matthew Barney’s River of Fundament
The Index
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Behind the Mask: Face to Face with Rashid Johnson’s The Hikers
Art Living
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Reflections on Euphoria: Tai Shani
The Index
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How Puppets Have Defied Convention Across the Centuries
Culture
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You Won’t Want to Miss These Essential Art Books
Culture
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I’m Tired of Being Told to Get a “Real Job”
Art Living
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The Curtains Are Up, But What’s Really Going On Backstage at UK Theatres?
Art Living
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Pop, Politics and Freedom: the Artists of Spain’s Liberation Movement
Art Living
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Paul McCarthy Uses “Bad Taste” to Reflect the Worst of Society
The Index
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Notorious Performance Artist Ron Athey on Secret Societies and the Apocalypse
The Index
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Dimitris Papaioannou on His “Personal Saint and Mother Figure”
The Index
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Hold Me Closer: Is Theatre the Perfect Match for VR?
Culture
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Shattering the American Dream
The Index
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Super Duper Close Up Shows How Our Brains Are Fried in the Digital Age
The Index
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Scottee’s New Show Depicts Fat Anew—and Orders Us to “Desire It”
The Index
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Lam Gods Offers a Gut-Punch Takedown of Contemporary Life
The Index
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Why a Retrospective (or “Schmetrospective!”) is Just the Start for this Artist
The Index
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