Theatre

Wasting Away: Paying a Visit to Tripoli’s Derelict Fair

Art Living
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Compañia Manuel Liñan (Manuel Liñal Dance Company), 2020

Camila Falquez: “I Don’t Know If I’ll Have Time to Shoot All These Incredible Humans!”

Culture
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Venice Biennale Diary #4: “You’re Always Bumping into Someone From a Past Life”

Art Living
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Teresa Solar, Tunnel Boring Machine (2022) at the Arsenale Central Exhibition. Photo by Louise Benson

Venice Biennale Diary #1: “The DJ Is Shouting: ‘When We Say Sonia, You Say Boyce…’”

Art Living
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To the Moon: Escape with Marcel Dzama’s Ode to the Magic of the Night Sky

Art Living
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Elephant’s Artists of the Year 2021, Part 2

The Index
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Lights, Camera, Inaction: America’s Movie Palaces Are Back in the Spotlight

Art Living
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Top of the Poops: Revisiting Matthew Barney’s River of Fundament

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Behind the Mask: Face to Face with Rashid Johnson’s The Hikers

Art Living
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Reflections on Euphoria: Tai Shani

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How Puppets Have Defied Convention Across the Centuries

Culture
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You Won’t Want to Miss These Essential Art Books

Culture
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I’m Tired of Being Told to Get a “Real Job”

Art Living
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The Curtains Are Up, But What’s Really Going On Backstage at UK Theatres?

Art Living
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Pop, Politics and Freedom: the Artists of Spain’s Liberation Movement

Art Living
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Paul McCarthy, DADDA, Donald, Green Screen, 2019. Courtesy Xavier Hufkens and the artist

Paul McCarthy Uses “Bad Taste” to Reflect the Worst of Society

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Ron Athey Acephalous Monster, Performance Space New York. Photograph by Rachel Papo.

Notorious Performance Artist Ron Athey on Secret Societies and the Apocalypse

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Dimitris Papaioannou on His “Personal Saint and Mother Figure”

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Hold Me Closer: Is Theatre the Perfect Match for VR?

Culture
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Clare Perkins (Cynthia) and Martha Plimpton (Tracey) in Sweat at the Donmar Warehouse directed by Lynette Linton, designed by Frankie Bradshaw. Photo Johan Persson.

Shattering the American Dream

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In Super Duper Close Up, Jessica Latowicki’s performance asks if art cut through artifice.

Super Duper Close Up Shows How Our Brains Are Fried in the Digital Age

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Sam, Joe, Scottee, Asad and Gez, Fat Blokes. Photography by Holly Revell. 

Scottee’s New Show Depicts Fat Anew—and Orders Us to “Desire It”

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Lam Gods Offers a Gut-Punch Takedown of Contemporary Life

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Why a Retrospective (or “Schmetrospective!”) is Just the Start for this Artist

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