The Index

This Is Nairy Baghramian’s Year, and She’s Sharing It with Close Female Collaborators

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This New Moroccan Biennale Takes a Pioneering Stance on Gender

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The Dreamlike Allure of Takeshi Makishima’s Underwater Paintings

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Ebecho Muslimova, Fatebe Deep Frog Organza, 2019

The Artist Acting Out Her Anxieties Through an Alter Ego Who Refuses to Die

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What Happens to Counter-Culture When Everything Is Swallowed Up By #Content?

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The Israeli Artist Who Set Up a Desert Island in His Own Kitchen

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Can Architecture Triennials Really Make a Difference for Their Host Cities?

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The Artist Recasting the Witch as a Feminist Symbol of Resistance

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Discover Nail Art… But Not As You Know It

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Ten Years, Five Designers: Exploring Elephant’s Ever-Evolving Graphic Identity

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Fresh Portrayals and Family Scenes in the Paintings of Joy Labinjo

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I Magma & I Magma App, co-commissioned by Serpentine Galleries and Moderna Museet, 2019. Photograph: Prallan Allsten/Moderna Museet

Can These Head-Shaped Lava Lamps Predict Your Future?

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Chen Fei Playfully Injects Chinese Culture into the Western Canon 

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Terence Koh’s Bee Chapel at Andrew Edlin gallery, New York

Why Human Beings Should Be More Like Bees

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Toxic Masculinity Gets a Makeover Courtesy of Iranian Artist Orkideh Torabi

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Is Trailblazing Architect and Designer Charlotte Perriand a Feminist Icon?

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Why Singing Is So Important to This Turner Prize Nominee

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Thea Gvetadze, Becoming Thea Merlani, 2018

How Young Women Can Seize the Moment and Claim Their Power

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Why Oppression Doesn’t Always Look Dark and Formidable

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Julia Ducournau’s Raw Speaks to the Horror in All of Us

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Compost Daddy (2018) by Annie Mackinnon. Image courtesy the artist and New Contemporaries

How New Contemporaries Predicted Many of British Art’s Biggest Names

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Seth Price Has Always Stayed Ten Steps Ahead of the Internet

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Farley Aguilar’s Nightmarish Visions Force Us to Face Dark Social Realities

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This Artist Has Been Fuelling the Feminist Fire for Decades

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