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Portrait of Yayoi Kusama courtesy Victoria Miro

JR in Berlin, Kusama Fever in London and New Bangkok Biennial

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Pilvi Takala, Real Snow White, 2009, Courtesy the artist, Carlos/Ishikawa London

Can Contemporary Art Really Make Us Laugh?

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John Loker, Space is a Dangerous Country, Adrift, 2018, oil on canvas (c) John Loker, Courtesy of Flowers Gallery London and New York

John Loker: To Infinity and Back Again

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Valentina Loffredo, Alike, from the series Stillness, 2017

Spotlight on Japan and Subversion at PhotoFairs Shanghai

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Lemmings, designed by DMA Design, published by Psygnosis

V&A Dundee: New Horizons on the Waterfront

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siren eun young jung, Act Of Affect, 2013

The Korean Artist Exploring the Vanished Drag Act of the All-Female Opera

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What’s the Time, Mr Marclay?

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How Can We Connect with Our Inner Animals?

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Rihanna Takes on Fashion Week and the V&A Comes to Dundee

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Loie Hollowell, Beacon, 2018, © Loie Hollowell, courtesy Pace Gallery Photography by Mark Waldhauser, courtesy Pace Gallery

Raw Sensuality in Loie Hollowell’s Orgasmic Abstractions

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Henrik Vibskov: Everything Is Connected

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The End of Street Art (As We Know It)

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Susan Cianciolo: Everything Is Sacred

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Guerrilla Girls, Wealth & Power, 2016. Courtesy guerrillagirls.com

Celebrating the Provocative Power of Text Art

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The Political History of Black Identity and Swimming

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Sue Williamson Sends a Collective SOS

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Kim Song Gun, Kim Chol, Cha Yong Ho, Ri Ki Song, Brave Men in Gajin, 1999, Chosonhwa

First Impressions from Asia’s Oldest Art Biennial

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An Era Has Ended

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Anna Liber Lewis, Head, 2017

Announcing the Elephant x Griffin Art Prize Longlist

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Equal Opportunities for Nudes and Battle of the Statues

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Social Tensions and Alternative Beauty in Johannesburg

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Alice Irwin: Alchemy with Acid

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Tómas Saraceno to Spin His Web in Palais de Tokyo

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Shu Lea Cheang, UKI Virus Rising, 2018

The Ambitious Gwangju Biennale Tackles Imagined Borders

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