Future

Osamu Kobayashi, Two Rivers, 2017. Courtesy the artist

In Unequal Times, Is Our Snobbery Towards Selling Out Misplaced?

Art Living
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Richard Prince, Spiritual America IV, 2005. © Richard Prince, courtesy Sadie Coles HQ, London

Richard Prince Showed Me the Impossible Contradictions of Female Sexuality

SEX/ART
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Wild and Free: Vinca Petersen Explores Life on the Road

Culture
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Boy.Brother.Friend Reimagines the Fashion Magazine as a Political Force

Culture
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A Cultural Journey Through Two Millennia in This Bombed-Out Church

Art Living
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The Eclectic Zines Offering Escapism During Difficult Times

Culture
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The Radical Architects Who Designed Homes to Live Forever In

Art Living
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Spring fever. Courtesy David Uzochukwu

These Are the Artists You Need to Know

Culture
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As Black Lives Matter Protests Grow, These Artworks Are Vital Viewing  

Culture
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Elephant Stands in Solidarity With Black Lives Matter

Art Living
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Insider Art: What It Means to Make Art in Prison 

The Index
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Photo © Miguel Santa Clara

Cataloguing Catastrophe: Can Museums Ethically Document a Pandemic?

Art Living
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Jonathan DeDecker, AZ-4, 2020

Competitions Breed Insecurity. We Don’t Need Them During a Crisis

Art Living
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Tomás Saraceno Forced Me to Confront My Anxieties About the Modern World

The Anecdote
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Eduardo Chillida’s Centuries-Old Farmhouse, a Love Letter to the Basque Country

Art Living
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Chatroulette Defined a Distanced Era of Awkward Zoom Chats and Dick Pics

Culture
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Emily Ludwig Shaffer, Untitled, 2018. Photo by Kristen Hatgi. Image courtesy the artist

What Do You Lose When Creativity Becomes a Commodity?

Art Living
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In an Unequal World Carrie Mae Weems Has Hope for the Future

Culture
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K-Hole’s Trend Reports Taught Me to Stop Worrying About the Art World

The Anecdote
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Paul Slater, Image of an Indonesian Celebes Crested Macque, 2011. Via Wikimedia Commons

Is Your Face Still Your Own in the Digital Boom of Social Distancing?

Culture
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Nepotism Glues the Arts Together, While the Rest of Us Come Unstuck

Art Living
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Join These Artist-Led Online Classes for Less Than a Fiver

Culture
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Sales of Prints and Editions Offer a Lifeline to Artists During the Crisis

The Index
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Rachel Rossin, I Came And Went As A Ghost Hand (Cycle 2), 2015. Courtesy the artist

Digital Disintegration: Why Artists Are Rejecting “New” Technology

The Index
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