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Indigenous art
Jeffrey Gibson: Ancestral Superbloom
ART/ICLES
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Venice Biennale Diary #2: “It’s a Form of Art Boot Camp”
Art Living
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Gisela McDaniel: “Gauguin’s Paintings of Pacific Islanders Felt Like Theft to Me”
Culture
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Every Object Tells a Story in the Inspiring World of Mudi Makes
Culture
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Tokyo Drift: What Hides Behind the Neon Glare of the Japanese Metropolis?
The Index
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Hocus Focus: What Happens When Art and Sorcery Intersect?
The Index
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Poet, Lover, Collector: The Art-Filled Life of Pablo Neruda
Art Living
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Why Decolonising Museums Is Not Enough
Culture
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Reinventing Resistance: The Ndebele Tribe’s Geometric Wall Art
Art Living
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Amaryllis DeJesus Moleski Splits the Rainbow to Imagine a Femme Genesis
The Index
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Can Diasporic Artists Ethically Collaborate with Local Craftspeople?
The Index
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Untangling Identity Politics with Karachi-Born Nalini Malani and Huma Bhabha
The Index
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The Multifaceted Identities of Frida Kahlo
Art Living
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Western Museums Are Problematic: What Can Be Done to Change Them?
The Index
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The Colourful Return of Postmodernism Celebrates Difference and Diversity
The Index
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How the South Asian Modernists Represented Postcolonial Freedom
Art Living
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Decoding the Visual Language of Tarot Cards
Art Living
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The Indigenous Colombian Elder Painting Ancestral Knowledge From Memory
The Index
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Indigenous Cultures Shine at the Biennale of Sydney
The Index
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The Gaze of White Women Artists on Black Subjects
The Index
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Why Are We so Drawn to Ritualism and the Occult?
The Index
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Patchworking the World: Pacita Abad’s Celebration of Global Diversity
The Index
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Rose B. Simpson Explores the Human Condition Through Her Native American Past
The Index
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Pieter Hugo: Sex and Mortality in Mexico
SEX/ART
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