Profile

Art

Who Watches the Watchmen? Pilvi Takala Goes Undercover…

Art

The Eyes of Caroline Walker: “It’s Different When it’s a Woman Looking at Women”

Art

Thar She Blows! Reinventing Moby Dick for the Venice Biennale

Art

Melanie Bonajo: “The Oil Pool Where People Are Blindfolded Is a Ritual Space…”

Art

True Lies: Fact and Fiction in the Art of Stan Douglas

Art

What Dreams May Come: Waking Up To Alberta Whittle

Art

Bora Akıncıtürk: “Galleries Want Someone they Can Hump!”

Art

Voices of the Ignored: How Alanis Obomsawin Made Canada Listen

Art

Lessons from History: Thao Nguyen Phan Is Using Yesterday to Illuminate Today

Art

Bringing Everything Into Focus: The Life and Times of Ingrid Pollard

Art

The Big Picture: Forging a Future with Larry Achiampong

Art

Self Examination: Face to Face with Painter Sarah Ball

Art

Faith Ringgold: Tales from a Patchwork Life

Art

Food for Thought: Cooking Sections Sink Their Teeth into the Politics of Consumption

Art

Andrew Pierre Hart: “A Photocopier at the RCA Had a Hip Hop Beat. 91bpm…”

Art

Hearth, Home and Heritage: Radically Redefining the Domestic with Aya Haidar

Art

Transience, Transformation and the Iridescent Work of Gabriel de la Mora

Photography

Stephen Gill: “I’m Still Amazed I Turned Photography into Something I Do for a Living”

Art

Home, History and Her Father’s Gaze: What Does Film Mean to Tako Taal?

Photography

If Love Is the Drug, Can Ana Cristina Vallejo Kick Her Addiction?

Photography

Sohrab Hura: “You Can Destroy Your Photography by Being a Photographer”

Art

Mark Leckey: “I Feel Superseded by TikTok”

Art

Hetain Patel: “I Want to Make the South Asian Black Panther”

Art

Scented Lard, VR and Flesh Lumps in the Work of Candice Lin