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Antony Gormley, Blind Light, 17 May – 19 August 2007, Hayward Gallery. Image © Stephen White
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Wolf Vostell, Ihr Kandidat, 1961
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Alteronce Gumby in his studio.Photography: Sergio Gutierrez
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Half Full, Half Empty, 2016 © Tony Gum
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Joe Lloyd
Who Decides What Is and Is Not Art? The Forgotten Story of Brian Willsher
Art Living
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Interaction Interrupted: Will Performance Art Survive the Pandemic?
The Index
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Somewhere Over The Rainbow… In The Heart of Greenwich
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Tyson Reeder: “The Yellow Palm Trees Really Pop on the Jackets”
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Erwin Olaf: “Many Art Forms Can Make You Cry but Photography Rarely Does”
Culture
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Danh Vo Goes in Search of History
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Inhotim: The Immense Brazilian Sculpture Park Where Artists Go Big
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Le Corbusier’s Zurich Pavilion Is a Bold Rubik’s Cube of Colour
Art Living
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Hundreds of Naked Grappling Figures Create a Bizarre Temple to Artistic Ambition
Art Living
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This Secluded Geometric Building Conjoins Art and Architecture
Art Living
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In the Depths of Tasmania, a “Subversive Adult Disneyland”
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Steilneset Memorial, Norway: A Tribute to Those Executed for Witchcraft
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A Communist Relic: This Lithuanian Museum Houses Soviet-Era Artworks
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The Decadent Art-Filled Villa Hidden for Half a Century in Northern Italy
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Museum Insel Hombroich Is an Art Playground on a Former Missile Base
Art Living
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The Musée Soulages Begets an Intense, Contemplative Experience
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Marfa’s Arid Desert Was the Ultimate Outdoor Gallery for Donald Judd
Art Living
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Enter a Refuge From the Recriminations of the Outside World in Las Pozas, Mexico
Art Living
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Japan’s Naoshima Island Is a Sprawling, Surprisingly Welcoming Art Haven
Art Living
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A Cultural Journey Through Two Millennia in This Bombed-Out Church
Art Living
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Eduardo Chillida’s Centuries-Old Farmhouse, a Love Letter to the Basque Country
Art Living
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The Eerie Resonance of Gregor Schneider’s Disquieting Interiors
The Index
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Little Sparta Is a “Garden Poem” and Ode to the Great Scottish Landscape
Art Living
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I’m Travelling the World Under Lockdown
Art Living
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