Yue Minjun, Water, 1998

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The Raw Leaf and the Chewing Gum, 2019

Welcome to the Weird, Wonderful World of Agnese Guido

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Shiro Kuramata, Chair-Wall, 1970

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Josephine Verstille (Nivison) Hopper, Untitled (Portrait of a Woman with Brown Hair) and Untitled (Landscape). Courtesy of PAAM, Gift of Laurence C. and J. Anton Schiffenhaus in memory of Mary Schiffenhaus, and two anonymous donors, 2016 and Gift of Alfred T. Morris Jr., 2000

Does the Artist’s Muse Have a Place in Our Modern World?

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Banish Lockdown Boredom with These Arty Board Games

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These Are the Artists You Need to Watch

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The Artworks That Perfectly Capture Isolation

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Jack Sutherland Uses Comedy and Tragedy to Unpick White Masculinity

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Why Shirin Neshat Is Turning Her Gaze Away From Iran

Culture
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Robert Lostutter

Robert Lostutter, Untitled, 1970

Culture
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How Director Terence Nance Brought Afrofuturism Into the Light

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Charlotte Edey, The Spirit Almanac, 2019

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Ren Hang, Untitled 25, 2015

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Jacqueline de Jong’s Monstrous Beasts Call For a Less Regimented World

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Julie Cockburn, Plumage 1, 2019

Culture
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Ian Weldon, I Am Not a Wedding Photographer, 2019

The Seven Essential Artists You Need to Know

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The Female Photo-Zine Publishers Shaking Up the DIY Scene

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Malachi Farrell, Constantin Leu, Ludovic Nobileau, Human Clock, Le Voyage à Nantes, 2019

Culture
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Scott Eaton, Contemplating Mass Unemployment II, 2019

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Julie Curtiss: Wild Women and Dark Humour

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Penny Slinger, Penny As Shakti, 1976

Culture
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Big Boned? Kristina Schuldt’s Women Are High-Heeled, Heavy and Heroic

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Vera Chytilova, Daisies, 1966, still

A Political (Dinner) Party: Food and Subversion in Czech Cinema

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Gladys Nilsson, A Cold Mouth, 1968. Courtesy the artist and Garth Greenan Gallery, New York

The “Fundamentally Transgressive” Attitude of the Chicago Imagists

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