Opinion

Sasha Bowles, Hairy Interventions, at Arthouse1

Home Comforts: How Do You Hang Yours?

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Edinburgh: the Bubbliest of Cultural Bubbles

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Can Women-Only Exhibitions Shift the Gender Pay Gap?

Art Living
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The Enduring Legacy of Hitchcock’s Vertigo

Culture
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Antony Gormley’s Public Art: Angels and Demons

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African Passions: Beyond Geography, History and Bodies

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Sharing and Survival at the Venice Architecture Biennale

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Joey Holder, Adcredo – The Deep Belief Network, 2018

Designing Belief for the Twenty-First Century

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Ellen von Unwerth: Ladyland in a Man’s World

Culture
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Three Passages on Love and Art

Art Living
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Civilisation vs Civilisations: Who Wore it Better?

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Yu Hong, She's Already Gone (2017) Virtual Reality artwork Courtesy the artist and Khora Contemporary

Art Basel Hong Kong: Virtual Reality and the Art World

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What Is Your University Degree Really Worth?

Art Living
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Plastic Art in a Post-Plastic Age

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Susan Meiselas, Mistresses Solitaire and Delilah II, dressing room. NYC, USA, Pandora's Box, 1995 © Susan Meiselas_ Magnum Photos

Beyond the Frame: Violence and Photography

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The Classical Now: Homage and Parody

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Another Kind of Life: Photography on the Margins

Culture
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Juicy Fruit and Subverted Expectations at Josh Lilley

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Artists who make music Musicians who make art at Queens Park Railway Club

Ross Sinclair: Falling and Laughing

Culture
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Michaël Borremans: Fire from the Sun

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Man in makeup wearing ring. Photograph from a photo booth, with highlights of color. United States, circa 1920. © Sebastian Lifshitz Collection

Under Cover: A Secret History of Cross-Dressers

Culture
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Painting Now in the Baltic Region

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Elisabetta Catalano, Bolkan Florinda, 1969. © Archivio Elisabetta Catalano. Courtesy of Richard Saltoun Gallery

On Reflection: Women Look at Women

Culture
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Feeling Fruity: The Lulennial II, Mexico City

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