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Emily Gosling

Emily Gosling was an editor-at-large at Elephant from 2018 to early 2021. She formerly worked as deputy editor at It’s Nice That and a reporter at Design Week magazine. Her book about the creative process, Great Minds Don't Think Alike, was published by Ilex Press in 2018.
Oysters with agar pearls for KARA photoshoot, November 2018

Jen Monroe: Escapism and Artful Cheffing

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Never Underestimate the Power of a Dyke (Photographer Cindy Clark of Women’s Quarterly Journal), 2018. Maple Veneer, & Ink. Courtesy of Victori + Mo and the artist.

Why We Should All Know More About Lesbian “Herstories”

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Ursula Mayer, still from Atom Spirit, 2016

What Does It Mean to Be Human in the Technological Age?

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Medium Annette Rodgers participates in a direct radio voice experiment led by medium and tutor Kim Moore-Cullen, in a circle that includes other bereaved parents, Arthur Findlay College, England, 2018. From Séance, by Shannon Taggart

Photographing the People Who Speak to the Dead

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Aïsha Devi, photo by Emile Barret

Everybody Hertz: Sounds that Heal You

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Dennis Stock, California Trip, cover

Was the Acid-Laden, Sun-Dappled Summer of Love Really All It Seemed?

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Tracey Emin, Why I Never Became a Dancer, 1995, still

When Art Goes Disco Dancing

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600 Cafe, Miles City, Montana 10.2018 © Mark Power / Magnum Photos

Exploring the Schism Between Myth and Reality in America

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Work by Alice Carman

Nine to Five: The Artists Who Work Day Jobs to Make Ends Meet

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Entirely hollow aside from the dark, Audience with lights, Smugglers Cave, Portrane, Dublin, Ireland, 2016, Photo by Brian Cregan.

Can Sound-Based Art Break Down the Stigma Around Mental Health?

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David Lynch, Woman with Small Dead Bird, 2018 (cropped). Courtesy of David Lynch and Kayne Griffin Corcoran.

David Lynch Wants You to Play Detective in His Mysterious Paintings

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Still of Zahid Iqbal, graphic designer on Fiverr based in Pakistan, from Liz Magic Laser, In Real Life, 2019

Does Freelancing Really Mean Freedom?

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Bridget Riley inside Continuum, contact sheet by Ida Kar, 1963. National Portrait Gallery. From the book Bridget Riley A Very Very Person.

The Making of An Artist: How Bridget Riley Became the Queen of Op Art

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Stuart Semple, My Brain Hurts Like a Fucking Warehouse

Blur-Obsessive Stuart Semple Paints Like a Songwriter

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Moondog, Key Zest, from the movie Beach Bum by Harmony Korine. Lithography by Marjeta Morinc. Photography by Sam Haynes.

Why Do We Love Art About “Burnouts”?

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Snootie Studios, Some Like it Hot poster

Do Artists Have a Duty to Save the World?

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Saelia Aparicio, Your Consequences Have Actions

Pickled Balloons and Prosthetics: Saelia Aparicio Finds Humour in Dystopia

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Simon Hanselmann, Bad Gateway spread

Sex, Drugs and Caustic Wit: Megg, Mogg and Owl Is a Cult Classic

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Frances Chiaverini, Josh Johnson, Sacha Eusebe in Anne Imhof, Sex, 2019 Tate Modern, London Photography: Nadine Fraczkowski Courtesy the artist and Galerie Buchholz, Berlin/Cologne/New York

Impulse Buy? What Happens When Performance Art Goes Up For Sale

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Oreet Ashery, Revisiting Genesis, still

Why We Need to Talk About Death in Art

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Anna Haifisch, The Artist: The Circle of Life

The Struggle to Be a Successful Artist Is Bleak and Weird

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Kentaro Okawara

Cute Dick Pics and Ducks As a Painted Expression of Love

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Alexander Calder. Untitled (maquette for 1939 New York World’s Fair), 1938. © 2019 Calder Foundation, New York / VEGAP, Santander

Why An Artist’s Unrealized Dreams Can Be the Most Revealing

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Aubrey Beardsley, Lysistrata Shielding her CoynteI, illustration to Lysistrata by Aristophanes, 1896, Private Collection

Drink Beer, Not Gin, and Six More Things We Learned from Jonathan Jones

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