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Umbrella (yellow), 2011 © Michael Craig-Martin Courtesy of the artist and Gagosian Photo: Aric Attas

The Joy of Colour with Michael Craig-Martin

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Yoshua Okón Makes Social Tensions Painfully Visible

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The Mexico City Gallery that Reshaped the Capital’s Art Scene

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Eduardo Terrazas: The Cosmos Is Square

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Manuel Solano Tackles Identity Politics and Blindness with Paint

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A Rare Look Inside Geneva’s Notoriously Private Art World

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The Collectives Shaking Up the Mexico City Art Scene

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Chasing, Pausing, Waiting, 2014. Blusher, bird droppings, cigarette ash (from a smoker wanting to quit), black marble

Tania Pérez Córdova: Girl with the Other Earring

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Becky Kolsrud, Allegorical Nude (Double Reflection), 2018

What Really Makes a Woman?

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Damián Ortega Conjures Visual Poetry from the Everyday

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Slow Motion, 2019

Sara Anstis Celebrates Female Sexuality with Humour and Tenderness

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Gazing Ball (Boucher Reclining Girl) (2014–15), Jeff Koons. © Jeff Koons – Courtesy of the artist and Almine Rech Gallery

Jeff Koons’s Gazing Balls Make Masterpieces into Selfies

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Feeling Fifty Shades of Blue in Mexico City

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This Ceramicist Breaks Down Her Craft to Build Beautiful DIY Pots

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Clean Lines and Turbulent Times at artgenève

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Theodora Allen’s studio, photography by Max Knight

Theodora Allen’s Ghostly Paintings Hark Back to the Middle Ages

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We Are The People. Who Are You?

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Pope.L and Adam Pendleton: “Art Can Mobilize Your Body”

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Miranda July: When the Sun Sets, We’ll Shine Together

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Jeremy Deller, Sacrilege, 2012

The Most Stupid Artwork Ever? Jeremy Deller’s Bouncy Castle Stonehenge

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Why Are Artists So Fascinated with Teeth?

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Hyon Gyon Viscerally Examines Death, Destruction and Rebirth

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Joe Madeira’s Rainbow Paintings are Razor-Sharp Critiques of Modern Anxiety

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“Home Is Where the Hard-On Is”: 15 Questions with Gilbert & George

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