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The Anecdote
The Index
The Index
The Joy of Colour with Michael Craig-Martin
The Index
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Yoshua Okón Makes Social Tensions Painfully Visible
The Index
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The Mexico City Gallery that Reshaped the Capital’s Art Scene
The Index
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Eduardo Terrazas: The Cosmos Is Square
The Index
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Manuel Solano Tackles Identity Politics and Blindness with Paint
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A Rare Look Inside Geneva’s Notoriously Private Art World
The Index
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The Collectives Shaking Up the Mexico City Art Scene
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Tania Pérez Córdova: Girl with the Other Earring
The Index
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What Really Makes a Woman?
The Index
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Damián Ortega Conjures Visual Poetry from the Everyday
The Index
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Sara Anstis Celebrates Female Sexuality with Humour and Tenderness
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Jeff Koons’s Gazing Balls Make Masterpieces into Selfies
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Feeling Fifty Shades of Blue in Mexico City
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This Ceramicist Breaks Down Her Craft to Build Beautiful DIY Pots
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Clean Lines and Turbulent Times at artgenève
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Theodora Allen’s Ghostly Paintings Hark Back to the Middle Ages
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We Are The People. Who Are You?
The Index
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Pope.L and Adam Pendleton: “Art Can Mobilize Your Body”
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Miranda July: When the Sun Sets, We’ll Shine Together
The Index
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The Most Stupid Artwork Ever? Jeremy Deller’s Bouncy Castle Stonehenge
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Why Are Artists So Fascinated with Teeth?
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Hyon Gyon Viscerally Examines Death, Destruction and Rebirth
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Joe Madeira’s Rainbow Paintings are Razor-Sharp Critiques of Modern Anxiety
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“Home Is Where the Hard-On Is”: 15 Questions with Gilbert & George
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