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Tombstones N (wrong), 1969. Courtesy of Stephen Friedman Gallery and Kisterem, © Ilona Keserü

Ilona Keserü on Abstraction and Afterimages

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New Establishment: Magali Reus

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Civilisation vs Civilisations: Who Wore it Better?

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Plagiarism, Virtual Reality and Suspected Cannibalism

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Yu Hong, She's Already Gone (2017) Virtual Reality artwork Courtesy the artist and Khora Contemporary

Art Basel Hong Kong: Virtual Reality and the Art World

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Sturtevant, Warhol Flowers, 1990. Silkscreen, acrylic on canvas. Collection Thaddaeus Ropac, London/Paris/Salzburg

Julia Peyton-Jones and Dr Mario Kramer Discuss Sturtevant

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Personal Trumps Political at Art Basel Hong Kong

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Natalie Frank on Fairy Tales and the Pornographic Imagination

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Marvin Gaye Chetwynd, Bat, 2018

Marvin Gaye Chetwynd, In Her Own Words

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My Typewriter by Peter Sacks

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Fatma Bucak: Finding the Strength to See

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gideon rubin untitled 2017

Gideon Rubin on Painting Over the Past

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Cicely and Miles Visit the Obamas by Henry Taylor

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Easter Bunnies and Soviet Mind Control

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Ghada Amer on Embroidery and Default Beauty

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Political Portraits and National Humiliations

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Eddie Peake’s Love Letter to London

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Ben Frost at Heaven, London

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Hughie O’Donoghue on Van Gogh and Terrible Beauty

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Gender Debates and Urban Villages at Gallery Weekend Beijing

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Autumn Ramsey, The Spinx, Courtesy the artist and Galerie Crèvecoeur

Five Exhibitions to See in Paris this April

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Pakal, History and the Illusion of Knowledge

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Steve Lazarides on Urban Art

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Crossing Borders and Clearing the View in Marrakech

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