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Spring in Berlin: Five Shows to See

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Yto Barrada: Learning To Do Nothing

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Pericles (Périclès, Prince de Tyr): Cheek by Jowl

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The Music of Stranger Things: Kyle Dixon and Michael Stein

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Freedom Now (red and gold), 2018, (flash)

Hank Willis Thomas Takes On Politics and Provocation in New York

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Will Ryman on Technology and the Unconscious

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Linder: Trying to Breathe Life into the Monster

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My Magic Brush by Florine Demosthene

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Tracey Emin, Why I never became a dancer (1995), Arts Council Collection

Why I Never Became A Dancer by Tracey Emin

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Baby Shaming, Haemorrhoid Cream and Instagram Mums

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Chiharu Shiota, Beyond Time, 2018. Copyright VG Bild-Kunst, Bonn, 2018 and the artist.

Spinning Spiritual Webs with Chiharu Shiota

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Pay Gaps, Controversy at the Brooklyn Museum and Missing Paintings

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Saad Qureshi on Learning to Trust Yourself

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Koak: Being In The Moment

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The Brutal Play

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Tombstones N (wrong), 1969. Courtesy of Stephen Friedman Gallery and Kisterem, © Ilona Keserü

Ilona Keserü on Abstraction and Afterimages

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New Establishment: Magali Reus

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Civilisation vs Civilisations: Who Wore it Better?

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Plagiarism, Virtual Reality and Suspected Cannibalism

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Yu Hong, She's Already Gone (2017) Virtual Reality artwork Courtesy the artist and Khora Contemporary

Art Basel Hong Kong: Virtual Reality and the Art World

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Sturtevant, Warhol Flowers, 1990. Silkscreen, acrylic on canvas. Collection Thaddaeus Ropac, London/Paris/Salzburg

Julia Peyton-Jones and Dr Mario Kramer Discuss Sturtevant

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Personal Trumps Political at Art Basel Hong Kong

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Natalie Frank on Fairy Tales and the Pornographic Imagination

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Marvin Gaye Chetwynd, Bat, 2018

Marvin Gaye Chetwynd, In Her Own Words

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