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Why Artists and Institutions Need Negative Reviews

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Andy Holden’s Cartoon Ghost Train Questions the Art World’s Status Quo

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Four Decades of New York City Through a Single Lens

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Tenant of Culture on Refashioning Old Clothes—and Herself

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A New Cookbook Personalises Big Data by Dishing Up Conspiracies

Art Living
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The Trump Blimp Pokes Fun at a Man Who Is Always Full of Hot Air

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These Are the Essential Art Books to Explore Right Now

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The Memeification of Rodchenko’s Iconic Soviet Portrait

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Bill Henson’s Photograph of a Floating Girl Captured My Own Teenage Longing

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Take a Tour Through a Japanese Shopping Arcade with Omar Victor Diop

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What Does it Take to Work as an Artistic Duo?

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Joy Labinjo’s New Paintings Are an Unflinching Look at British Racism

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Distant Sounds: How Two Artists Composed a Site-Specific Work from Home

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“Unfuckable” Feminism? Virginie Despentes’ Meat Market of Flesh

Culture
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The Curtains Are Up, But What’s Really Going On Backstage at UK Theatres?

Art Living
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Chanel No.5 The Film advert

This Chanel No.5 Ad Is the Epitome of Excess, Pre-Financial Crash

Culture
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Under the Counter hooded jumper and t-shirt nike NHS

Sports Banger’s NHS T-Shirts Are the Epitome of Grassroots Philanthropy

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Annie Collinge Uses Photography to Recreate the Wonderment of Childhood

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Has Social Media Killed the British Holiday Postcard?

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FEC8MG ZOMBIES English pop group on BBC TV's Top of the Pops in September 1965. Photo Tony Gale. Image shot 1965. Exact date unknown.

Top of the Pops and the Fraught Task of Rerunning History

Culture
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TGFI Watercolours Deller Muggeridge

Jeremy Deller’s Rainbow Poster Gets Straight to the Point, But Is it Enough?

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Screenshot of the 12-year-old boy who fell and punched a hole in a painting in a museum in Taiwan in 2015

The Moment a Twelve-Year-Old Boy Destroyed a $1.5 Million Painting

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Marc Vallée Turns His Lens on the Anti-Establishment

Culture
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The Future of Musical Community Lies in Remote Collaboration

Art Living
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