Chloë Ashby

Zen and the Art of St Ives: An Overlooked Connection

Art Living

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A Cut Above: The Women Using Collage to Assemble Their Own Art Spaces

The Index

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Stable Society: Amie Siegel Gallops through the Stately Homes of George Stubbs’ Paintings

The Index

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The Eyes of Caroline Walker: “It’s Different When it’s a Woman Looking at Women”

The Index

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I Saw Echoes of My Own Life in the Eyes of Manet’s Weary Barmaid

The Anecdote

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Cast Adrift: Rescuing a Life from the Raft of The Medusa

Art Living

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Homage Sweet Homage: Why Do Yesterday’s Works Still Fuel Today’s Artists?

The Index

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Painting by Letters: The Power of Words within Art

The Index

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Lessons from History: Thao Nguyen Phan Is Using Yesterday to Illuminate Today

The Index

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You’re History: Is the Face of Public Monuments Finally Changing for the Better?

Art Living

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Self Examination: Face to Face with Painter Sarah Ball

The Index

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Into the Light: Behind the Scenes of the Reopened Courtauld Gallery

The Index

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Hearth, Home and Heritage: Radically Redefining the Domestic with Aya Haidar

The Index

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All Fired Up: The Passionate Potters Sharing Their Skills with Their Communities

Art Living

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The Female Gaze: Exposing The Other History of Photography

Art Living

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Reinventing the RA: Behind the Scenes of a New Look Summer Exhibition

The Index

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That’s the Chicago Way: The Uncompromising Life of Judy Chicago

Art Living

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Road to Recovery: The Women Turning Illness Into Sick Art

Art Living

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Intimate Stories of Female Artists Set Their Still Life Paintings in Dazzling Motion

Art Living

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Shedding the Shackles: How Craft Has Empowered Women For Centuries

Art Living

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Is Scotland Now the Artistic Heart of Britain?

The Index

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Space & Time: Two Decades of Commissions in the Tate’s Duveen Galleries

The Index

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Payback or Pleasure? Eliza Clark’s Boy Parts Unravels the Female Gaze

The Index

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