Europe

Photographing Sin Wai Kin and Tai Shani: “I Want to Make it Fun!”

The Index
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Kiosk Wishlist: All the Art Gifts You Need This Month

Art Living
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There’s an Insensitive New Mural in My Town. What Should I Do?

Advice Column
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Winds of Change Blow Through Anastasia Samoylova’s Work

Culture
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Venice Biennale: Elephant’s Pick of Must-See Exhibitions

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Homage Sweet Homage: Why Do Yesterday’s Works Still Fuel Today’s Artists?

The Index
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When Will the Mythologising of the Artist’s Studio Finally End?

Art Living
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Vive la Différence: Celebrating the Rebel Art of Jean Dubuffet

The Index
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Room with a Viewpoint: Making a Space to Reflect on Art

Art Living
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“You Feel the Encounter”: How to Photograph Marina Abramović

ART/ICLES
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Soft Power: The Radical Strength of Textile Art

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Women’s Work: Simone Rocha Showcases the Feminine in Art

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Painting by Letters: The Power of Words within Art

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Encounters: Five Art-World Innovators Reveal All to Elephant

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If These Walls Could Talk… A New Graphic Novel Gives the Bauhaus a Voice

Art Living
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Bring Home Rebecca Major’s Thought-Provoking Swirls of Colour

Art Living
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Dine Art: Why are Dinner Plates Suddenly on the Menu for Galleries?

The Index
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Javier Torras’s Teasing Print Poses Endless Questions

Art Living
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Behind the Scenes: Creating Tai Shani and Sin Wai Kin’s Wedding Photoshoot

Culture
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Family Fortunes: Meet the Photographers Reframing Domesticity

Culture
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Creative Initiatives in Support of Ukraine

Art Living
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The Last Word: 10 of the Best Quotes from Our New Issue

The Index
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Donatello (born Donato di Niccolò di Betto Bardi), c.1386 – 1466, “Mary with Child and Angels”, so-called “Madonna dei Cordai” (Madonna of the Rope Makes), c. 1433/35. Museo Bardini, Florence, Italy

Rachel Feinstein: How Donatello’s Work Helped Me Tap Into Something Universal

Culture
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The Best Blueprint for Understanding Britain’s Modern Architecture

Art Living
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