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Mood Music at the Old Vic

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Andrew Chuani Ho on Animals and the Art of Sport

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Black Hands by Chris Ofili

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The Issue with Boobs, from Form to Function

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Hidden Truths and Storytelling at Public Art Munich

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Fairs, Forgeries and Slashed Canvases

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Dirk Braeckman: Found in the Dark

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The Dying Gasps of the American Dream

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Tom Friedman, Gravity, 2014 with Stephen Friedman Gallery

Vivid Colour and Legendary Dealers: First Look at Frieze New York

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Christopher P Green on Compulsive Collecting and Weird Drawings

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Nico Vascellari Discusses Skating, Punk Music and Performance

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Sandra Kosorotova Explores Post-Fordism with a Digital Textile Printer

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Volkan Aslan Charts Istanbul’s Political Turmoil

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Joy, 11:30am, Brixton

Caroline Walker on Transience and Domestic Spaces

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Forgetting the Hand by Marcel Dzama and Raymond Pettibon

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Faith Ringgold: Quilting and the Art of Optimism

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Time Resistance Trend, 2018

Carolin Eidner’s Plaster Paintings Channel Our Digital Anxieties

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Naeem Mohaiemen, Tripoli Cancelled, 2017. © 2017 Naeem Mohaiemen. Courtesy of the artist and Experimenter, Kolkata

New Turner Prize, Inappropriate Barbie Dolls and a Monster Name Change

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Rebecca Ackroyd Glory Still, 2018. Courtesy Peres Projects, Berlin

Zine Dreams and Sticky Sculptures: Shows to See at Berlin Gallery Weekend

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Christian Falsnaes Explores the Power-Play of Uncomfortable Situations

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Pedro Reyes on Mexico, Music and Neoliberalism

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Performance Art Gets Political at Eva International Ahead of the Abortion Referendum

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My Lamps by Trevor Yeung

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Belonging in the World of Bunny Rogers

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