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The Index
Reflections on Euphoria: Mike Perry
The Index
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Elephant’s Pick of the Essential Artists to Watch in May
The Index
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Reflections on Euphoria: Lina Iris Viktor
The Index
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The Empty Faces of Shaina McCoy’s Paintings Are Full of Meaning
The Index
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Kwesi Botchway: “I Wanted Viewers to Appreciate All Different Parts of Me”
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“There Is So Much Blood”: Death, Darkness and the Art of Jammie Holmes
The Index
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Supriya Lele is Stitching Together a Fresh Take On Her Indian Heritage
The Index
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The Sound and Fury of Peter Adjaye’s Sonic Installations
The Index
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Telling Tales: The Painter Keeping Britain’s Forgotten Stories Alive
The Index
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“Chickens are Thrown at My Body and Blood is Splattered onto My Face”
The Index
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Who Are the New Guard Redefining the Spirit of New York City?
The Index
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Perfect Days: Khari Johnson-Ricks is Hunting for Life’s Hidden Joy
The Index
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This Feminist Film Platform Won’t Spoon-Feed You Culture
The Index
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Charles Gaines: “My System is a Firewall Between My Subjectivity and the Work”
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Explore the Print Sale for Lesbians and Gays Support the Migrants
The Index
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María Berrío: “My Characters Are Part of a Full World Who Can’t Exist Without Others”
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Spiritual Homes: The Artist Behind LRNCE Turns to Painting
The Index
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Elephant’s Pick of the Artists Making a Mark in April
The Index
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Misheck Masamvu: “We Sit at the Table but Don’t Know How to Use the Tools…”
The Index
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Otis Kwame Kye Quaicoe: “Who Is This? Why Are They Staring So Deeply at Me?”
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Tyson Reeder: “The Yellow Palm Trees Really Pop on the Jackets”
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Marking Time: Keeping Art Alive During the Covid Year
The Index
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Elephant’s Brand-New Biannual Magazine Is Here
The Index
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The Food Chain: Lockdown and the Culture of Consumption
The Index
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