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Bringing Painting Back from the Dead

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Anthea Hamilton, The Squash (preview), 2018. Photo: Stephen Chung. Courtesy the artist

Space & Time: Two Decades of Commissions in the Tate’s Duveen Galleries

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Reflections on Euphoria: Sam Gilliam

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Reflections on Euphoria: Seana Gavin

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Reflections on Euphoria: Tai Shani

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Reflections on Euphoria: Haroon Mirza

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Reflections on Euphoria: Mike Perry

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Elephant’s Pick of the Essential Artists to Watch in May

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Reflections on Euphoria: Lina Iris Viktor

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The Empty Faces of Shaina McCoy’s Paintings Are Full of Meaning

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Kwesi Botchway: “I Wanted Viewers to Appreciate All Different Parts of Me”

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Jammie Holmes, Carrying Caskets #3, 2021. © Jammie Holmes. Courtesy the artist and Library Street Collective

“There Is So Much Blood”: Death, Darkness and the Art of Jammie Holmes

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Supriya Lele Autumn/Winter 21 lookbook

Supriya Lele is Stitching Together a Fresh Take On Her Indian Heritage

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The Sound and Fury of Peter Adjaye’s Sonic Installations

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Hunting the Earl of Rone (left); The Garland King (right)

Telling Tales: The Painter Keeping Britain’s Forgotten Stories Alive

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“Chickens are Thrown at My Body and Blood is Splattered onto My Face”

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Who Are the New Guard Redefining the Spirit of New York City?

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Perfect Days: Khari Johnson-Ricks is Hunting for Life’s Hidden Joy

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This Feminist Film Platform Won’t Spoon-Feed You Culture

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Charles Gaines: “My System is a Firewall Between My Subjectivity and the Work”

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Explore the Print Sale for Lesbians and Gays Support the Migrants

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María Berrío: “My Characters Are Part of a Full World Who Can’t Exist Without Others”

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Spiritual Homes: The Artist Behind LRNCE Turns to Painting

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Elephant’s Pick of the Artists Making a Mark in April

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