Profile

Does Sevdaliza’s New Video Sing a Song of Modern Womanhood?

The Index
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Eileen Agar’s Magnificently Fishy Bonnet Makes a Splash

Culture
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Setting Out Her Stall: Capturing the Life of a London Market

Culture
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Visiting the Secret Gardens of Emily Ludwig Shaffer

The Index
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Why Is It So Hard to Talk About Fertility?

Art Living
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Is Colourising Archive Images Ever OK?

Culture
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Dawoud Bey’s Up-Close Snapshots of a Changing Generation

Art Living
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Diego Moreno: “Rebellion Makes You Reinvent Yourself”

Culture
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Elephant’s Pick of the Essential Artists to Watch in May

The Index
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Kwesi Botchway: “I Wanted Viewers to Appreciate All Different Parts of Me”

The Index
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“This Is Old! This is Ugly!” Capturing the Striking Street Style of Chinatowns’ Seniors

Culture
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The Sound and Fury of Peter Adjaye’s Sonic Installations

The Index
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Charles Gaines: “My System is a Firewall Between My Subjectivity and the Work”

The Index
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Elephant’s Pick of the Artists Making a Mark in April

The Index
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Hot Stuff: The Rise and Rise of the Lao Gan Ma Brand

Culture
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A Stitch in Time: The Artist Embroidering Himself into History

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Remembering Duggie Fields: “I Have a Love of Creativity”

The Index
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Matthew Morrocco Asks, Who Has the Right to Privacy in a Very Public World?

Culture
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Danh Vo Goes in Search of History

The Index
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Jess T Dugan on Desire, Ageing and the Intersectional Gaze

Culture
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An Audience with Miao Ying, the Artist Laughing in the Face of China’s Authorities

The Index
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Why Do Artists Need To Look So Good?

Art Living
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Conspiracy Theories, Grief and Carnage: Meet Carolina Hicks

The Index
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Tschabalala Self on Why Representation Is More Important Than Ever

The Index
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