OUT NOW ISSUE #48

Profile

Art

Self Examination: Face to Face with Painter Sarah Ball

Art

Faith Ringgold: Tales from a Patchwork Life

Art

Food for Thought: Cooking Sections Sink Their Teeth into the Politics of Consumption

Art

Andrew Pierre Hart: “A Photocopier at the RCA Had a Hip Hop Beat. 91bpm…”

Art

Hearth, Home and Heritage: Radically Redefining the Domestic with Aya Haidar

Art

Transience, Transformation and the Iridescent Work of Gabriel de la Mora

Photography

Stephen Gill: “I’m Still Amazed I Turned Photography into Something I Do for a Living”

Art

Home, History and Her Father’s Gaze: What Does Film Mean to Tako Taal?

Photography

If Love Is the Drug, Can Ana Cristina Vallejo Kick Her Addiction?

Photography

Sohrab Hura: “You Can Destroy Your Photography by Being a Photographer”

Art

Mark Leckey: “I Feel Superseded by TikTok”

Art

Hetain Patel: “I Want to Make the South Asian Black Panther”

Art

Scented Lard, VR and Flesh Lumps in the Work of Candice Lin

Art

Sutapa Biswas: “Kali Is the Goddess of War, But Also Peace. I Find Her Liberating”

Art

Making Waves: Meet Two Artists Who Care Deeply about the Oceans

Art

Somewhere Over The Rainbow… In The Heart of Greenwich

Art

Why Danielle McKinney Abandoned Photography In Favour of Painting

Art

Step into Rachel Maclean’s Twisted Fairy Tale at Your Peril

Photography

Diego Moreno: “Rebellion Makes You Reinvent Yourself”

Art

“There Is So Much Blood”: Death, Darkness and the Art of Jammie Holmes

Art

Supriya Lele is Stitching Together a Fresh Take On Her Indian Heritage

Art

The Sound and Fury of Peter Adjaye’s Sonic Installations

Life

Zakia Sewell: “Can Albion Ever Truly Belong to Someone Like Me?”

Art

Charles Gaines: “My System is a Firewall Between My Subjectivity and the Work”