Rebecca Fulleylove

Chanel No.5 The Film advert

This Chanel No.5 Ad Is the Epitome of Excess, Pre-Financial Crash

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Screenshot of the 12-year-old boy who fell and punched a hole in a painting in a museum in Taiwan in 2015

The Moment a Twelve-Year-Old Boy Destroyed a $1.5 Million Painting

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Lia Clay Miller Willie Norris's Helmut Language Helmut Lang

Lia Clay Miller’s Portraits of the Trans Community Are Laced with Candour

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Cleo Goossens Route du Soleil

Cleo Goossens’ Images Reimagine Sun-Soaked Road Trips and Family Holidays

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Kareem-Anthony Ferriera Day at Our Beach

Kareem-Anthony Ferreira’s Paintings Explore Cultural Divergence and Identity

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Leah Shore Don't Touch Your Face

The Animators Who Used Lockdown as Inspiration

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The time is now Akasha Rabut

The Time Is Now Uses Fundraising as a Form of Protest

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Clotilde Jimenez, Pose No. 4, 2020, Courtesy of the Artist and Mariane Ibrahim Gallery

Clotilde Jiménez’s Collages Explore the Rigid Definitions of ‘Blackness’

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Shawn Theodore Afromythology

Shawn Theodore Unites the Histories and Futures of African Americans

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The Wave, 2019 © Edouard Taufenbach, courtesy of Elizabeth Houston Gallery

Edouard Taufenbach’s Summer Haze Collages Celebrate “Queer Realities”

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Alexis Pazoumian, Sacha

Alexis Pazoumian Captures the Human Impact of Climate Change in Siberia

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Throughout the series, which has just been published as a book by Mack, sun-seekers set up camp in car parks; swimming pools appear as mini oases in a desert of grey concrete; and cranes and cooling towers loom awkwardly over beaches. The contrast between these built up, man-made environments and the sunbathers, who appear minute in scale, is amusingly surreal, but highlights our subservience towards industry, housing developments and superstores.

Txema Salvans Captures the Awkward Joy of Sunbathing in a Post-Industrial World

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Screenshot from The Simpsons, Isotope Dog Supreme

Looks Good Enough to Eat: The Nostalgia of Cartoon Food

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Jerrell Gibbs’ Tender Paintings Breathe Life Into Everyday Family Moments

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Genieve Figgis Subverts Classical Painting with Macabre Humour

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Have We Over-Hyped the Mona Lisa?

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Let Me See That Thong: A Visual History of the Barely-There Panty

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These Jewel-Like Compositions Celebrate the Organic “Aliveness” of Oil Paint

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Erik Winkowski’s Whimsical Animated Collages Transform Everyday Moments

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Josephine Verstille (Nivison) Hopper, Untitled (Portrait of a Woman with Brown Hair) and Untitled (Landscape). Courtesy of PAAM, Gift of Laurence C. and J. Anton Schiffenhaus in memory of Mary Schiffenhaus, and two anonymous donors, 2016 and Gift of Alfred T. Morris Jr., 2000

Does the Artist’s Muse Have a Place in Our Modern World?

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These Artists Use Flowers to Playfully Reflect the State of the World

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How the Cute Aesthetic of Miniature Food Became Big Business

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Brittney Leeanne Williams’ Deep Red Paintings Signal Female Trauma

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Tara Kopp Portrays the Tensions in Modern Life Through Doll-Like Characters

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