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Bora Akıncıtürk: “Galleries Want Someone they Can Hump!”

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Celebrating Elephant Cover Star Sin Wai Kin’s Turner Prize Nomination

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Voices of the Ignored: How Alanis Obomsawin Made Canada Listen

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Photographing Sin Wai Kin and Tai Shani: “I Want to Make it Fun!”

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Spring and Summer’s Must-See Exhibitions: Reflections on the Rural

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Spring and Summer’s Must-See Exhibitions: Galleries Look Inwards

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Spring and Summer’s Must-See Exhibitions: Awakening the Creative Mind

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Venice Biennale: Elephant’s Pick of Must-See Exhibitions

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Spring and Summer’s Must-See Exhibitions: Fashioning the Self

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Stripped Bare: What Happens When Obituary Meets Comic Strip?

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Homage Sweet Homage: Why Do Yesterday’s Works Still Fuel Today’s Artists?

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Vive la Différence: Celebrating the Rebel Art of Jean Dubuffet

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Soft Power: The Radical Strength of Textile Art

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Women’s Work: Simone Rocha Showcases the Feminine in Art

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Painting by Letters: The Power of Words within Art

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Encounters: Five Art-World Innovators Reveal All to Elephant

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Dine Art: Why are Dinner Plates Suddenly on the Menu for Galleries?

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Unfinished Business: Elephant’s Print Issue Looks Into Tripoli’s Derelict Fair

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Lessons from History: Thao Nguyen Phan Is Using Yesterday to Illuminate Today

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Elephant’s Pick of March’s Essential Artists

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Age of Apocalypse: Five Artists Plan Future Survival Solutions

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The Last Word: 10 of the Best Quotes from Our New Issue

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Choose Life: Welcome to Elephant’s Spring Summer 2022 Magazine

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Patrick Sarfati, Keith Haring, Body Painting, 1985

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