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Thar She Blows! Reinventing Moby Dick for the Venice Biennale
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Melanie Bonajo: “The Oil Pool Where People Are Blindfolded Is a Ritual Space…”
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True Lies: Fact and Fiction in the Art of Stan Douglas
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Can Machines Really Make Art? The Venice Biennale Says Yes…
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Why Is Venice Drowning in Gloop, Goo and Gore?
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Venice Biennale 2022: Key Painters from Cecilia Alemani’s Headline Show
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Access All Areas: Elephant’s Guide to the 59th Venice Biennale
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Future Shock: Phaidon Selects the Artists of Tomorrow
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What Dreams May Come: Waking Up To Alberta Whittle
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Body Language: Does the Human Form Haunt Even the Most Abstract Art?
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The BALTIC Interviews: “I Started to Call it the ‘Internet of Stink’”
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Elephant’s Pick of April’s Essential Artists
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In Character: A New Exhibition Celebrates Art’s Chameleons
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Congratulations to Ingrid Pollard on Her Nomination for the 2022 Turner Prize
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Bora Akıncıtürk: “Galleries Want Someone they Can Hump!”
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Celebrating Elephant Cover Star Sin Wai Kin’s Turner Prize Nomination
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Voices of the Ignored: How Alanis Obomsawin Made Canada Listen
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Photographing Sin Wai Kin and Tai Shani: “I Want to Make it Fun!”
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Spring and Summer’s Must-See Exhibitions: Reflections on the Rural
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Spring and Summer’s Must-See Exhibitions: Galleries Look Inwards
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Spring and Summer’s Must-See Exhibitions: Awakening the Creative Mind
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Venice Biennale: Elephant’s Pick of Must-See Exhibitions
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Spring and Summer’s Must-See Exhibitions: Fashioning the Self
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Stripped Bare: What Happens When Obituary Meets Comic Strip?
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