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The Last Word: 10 of the Best Quotes from Our New Issue

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Choose Life: Welcome to Elephant’s Spring Summer 2022 Magazine

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Patrick Sarfati, Keith Haring, Body Painting, 1985

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Elephant’s Pick of February’s Most Essential Artists

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Bringing Everything Into Focus: The Life and Times of Ingrid Pollard

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The Big Picture: Forging a Future with Larry Achiampong

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People Fill The Paintings of Our Latest Liquitex Residency Artist

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Self Examination: Face to Face with Painter Sarah Ball

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Faith Ringgold: Tales from a Patchwork Life

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#Splashtag: Why Are Painters So Obsessed with Swimming Pools?

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Farah Al Qasimi | Lunch, 2018

The Artists To Watch in 2022: Part 2

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Melanie Bonajo, Cruising 2, 2019

The Artists To Watch in 2022: Part 1

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The Shapes in Water Fascinate Our Latest Elephant Lab Residency Artist

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Elephant’s Artists of the Year 2021, Part 2

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Elephant’s Artists of the Year 2021, Part 1

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Elephant’s Pick of December’s Essential Artists

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Inside Meets Outside in the Work of Our Latest Elephant Lab Residency Artist

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Food for Thought: Cooking Sections Sink Their Teeth into the Politics of Consumption

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Into the Light: Behind the Scenes of the Reopened Courtauld Gallery

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Andrew Pierre Hart: “A Photocopier at the RCA Had a Hip Hop Beat. 91bpm…”

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Hearth, Home and Heritage: Radically Redefining the Domestic with Aya Haidar

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Elephant’s Pick of November’s Essential Artists

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Transience, Transformation and the Iridescent Work of Gabriel de la Mora

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Prints and the Revolution: Celebrating Britain’s Printmaking Pioneers

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