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Homage Sweet Homage: Why Do Yesterday’s Works Still Fuel Today’s Artists?

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Vive la Différence: Celebrating the Rebel Art of Jean Dubuffet

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Soft Power: The Radical Strength of Textile Art

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Women’s Work: Simone Rocha Showcases the Feminine in Art

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Painting by Letters: The Power of Words within Art

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Encounters: Five Art-World Innovators Reveal All to Elephant

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Dine Art: Why are Dinner Plates Suddenly on the Menu for Galleries?

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Unfinished Business: Elephant’s Print Issue Looks Into Tripoli’s Derelict Fair

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Lessons from History: Thao Nguyen Phan Is Using Yesterday to Illuminate Today

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Elephant’s Pick of March’s Essential Artists

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Age of Apocalypse: Five Artists Plan Future Survival Solutions

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The Last Word: 10 of the Best Quotes from Our New Issue

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Choose Life: Welcome to Elephant’s Spring Summer 2022 Magazine

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Patrick Sarfati, Keith Haring, Body Painting, 1985

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Elephant’s Pick of February’s Most Essential Artists

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Bringing Everything Into Focus: The Life and Times of Ingrid Pollard

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The Big Picture: Forging a Future with Larry Achiampong

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People Fill The Paintings of Our Latest Liquitex Residency Artist

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Self Examination: Face to Face with Painter Sarah Ball

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Faith Ringgold: Tales from a Patchwork Life

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#Splashtag: Why Are Painters So Obsessed with Swimming Pools?

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Farah Al Qasimi | Lunch, 2018

The Artists To Watch in 2022: Part 2

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Melanie Bonajo, Cruising 2, 2019

The Artists To Watch in 2022: Part 1

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The Shapes in Water Fascinate Our Latest Elephant Lab Residency Artist

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