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Exhibition view: Simon Fujiwara, Revolution, Lafayette Anticipations, Paris, 2018. © Andrea Rossetti

Simon Fujiwara’s Revolution Is Televised, and it’s Terrifying

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How Computers Conquered the Art World

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Nicole Spit, NeoBio (Studio Dáárheen)

Living in a Material World at Dutch Design Week

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Tracey Rose: Performance and Exorcism

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Mamma Andersson’s Tribute to Girls

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Harmony Korine, Trash Humpers, (2009), still

Harmony Korine’s Grotesquely Comedic Trash Humpers

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Pedro Ruiz, Latin Amicus, 2017 with Beatriz Asguerra

Floating in Space in Bogotá

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Joseph Wright of Derby, An Experiment on a Bird in the Air Pump, 1768

Growing Up Fast, One Painting at a Time

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The Japanese Artists You Should Know at Asia Now

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Alice Mann, from the series Drummies

Jarvis Cocker and Laurie Anderson Pen Songs for Sophie Calle’s Cat

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Gillian Wearing (b. 1963, Britain), Me as Madame and Monsieur Duchamp, 2018, bromide prints in articulated frame. © Gillian Wearing, Courtesy of the artist, Maureen Paley, London, Tanya Bonakdar Gallery, New York / Los Angeles, and Regen Projects, Los Angeles

Gillian Wearing: Do You Feel You Know Me a Bit Now?

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Torbjørn Rødland, Fever, 2018. Courtesy of David Kordansky Gallery, Los Angeles

FIAC: A Cavalcade of Seriousness and Humour

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Fabienne Verdier: Spontaneous, Super-Conscious

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The Haitian Artists Who Inspired Surrealism

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Bel Fullana, Mamading in the Swimming Pool, 2016

Five Must-See Shows at the Inaugural Lower East Side Art Week

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Hans Op de Beeck, Cabinet of Curiosities at Galerie Ron Mandos. Pictured left: Tatiana (Soap Bubble), 2018. Pictured right: Wunderkammer 8

Hans Op de Beeck’s Ash-Coated Cabinets

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Illustration by Becca Pelly-Fry

Brain Frieze, Western Tease

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Untitled, 2012

Gus Van Sant: My Own Private Studio

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Anna Liber Lewis, Head, 2017

Announcing the Elephant x Griffin Art Prize Shortlist

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David Shrigley’s exhibition of giant inflatable swan-things

David Lynch’s MoMA Speakers and David Shrigley’s Inflatable Swans

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Liliane Lijn’s Seductive Psychic Drama

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Lam Gods Offers a Gut-Punch Takedown of Contemporary Life

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Liza Lou, Lichenform I, 2018. Woven glass beads. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Photo: Joshua White 

Why Liza Lou Needs to Destroy to Create

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Colour, Shape and Motion: Enter the Dynamic World of Joel Shapiro

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