Contemporary Classics

Ed Atkins’s Desperate Tale of Woe

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Mark Bradford, Tomorrow Is Another Day, La Biennale di Venezia, US Pavilion, Venice, Italy, 2017. Installation view. Photo: Joshua White. Courtesy the artist and Hauser & Wirth

Mark Bradford Tears Up Tradition

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Love is the Message, The Message is Death (still), 2016. Courtesy: The Artist and Gavin Brown's enterprise (New York / Rome)

Arthur Jafa’s Message of Love and Death

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Rachel Maclean Feed Me (2015) Arts Council Collection, Southbank Centre, London © the artist. Commissioned by Film and Video Umbrella (FVU) and Hayward Touring for British Art Show 8

Rachel Maclean’s Sickly Sweet Dystopia

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Herb at Sixteen, 2018. Courtesy Victoria Miro and The Lowry

Chantal Joffe’s Tender Teenage Portrait

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John Currin, The Bra Shop, 1997, © John Currin, courtesy Sadie Coles HQ, London

Great Big Boobs: The Joyful Vulgarity of John Currin

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Teresa Hubbard / Alexander Birchler

The Untold Story of Giacometti’s Former Lover

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Assignment No.1 by Qiu Zhijie

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Black Hands by Chris Ofili

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Forgetting the Hand by Marcel Dzama and Raymond Pettibon

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Walls with Incisions à la Fontana by Adriana Varejão

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Luke Willis Thompson, autoportrait, 2017, now on show at The Photographers' Gallery

Autoportrait by Luke Willis Thompson

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Tracey Emin, Why I never became a dancer (1995), Arts Council Collection

Why I Never Became A Dancer by Tracey Emin

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Cicely and Miles Visit the Obamas by Henry Taylor

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T-shirts by Sanlé Sory

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La Manzana de Adan by Paz Errázuriz

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Camille Henrot, The Pale Fox

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Khadija Saye, Peitaw, 2017, from the series Dwelling: in this space we breathe

Khadija Saye’s Dwelling: In This Space We Breathe

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Joan Semmel’s Self Portraits

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Suzanne Lacy Silver Action 2013 Performed as part of BMW Tate Live, Tate Modern, 3 February 2013 Photo © Tate

Suzanne Lacy’s Silver Action

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Isa Genzken’s The American Room

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Roger Hiorns’s Seizure

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Louise Bourgeois and Tracey Emin’s Do Not Abandon Me

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Anne Imhof’s Faust

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